Showing posts with label adventure. Show all posts
Showing posts with label adventure. Show all posts

Sunday, August 11, 2013

Brilliant flash mob sparks ideas

Brilliant flash mob sparks ideas  

by Norah Dooley

An acquaintance sent me this yesterday and I was enthralled. A flash mob fully realized and then enacted a back story to a very well known painting, Guards of the Night by Rembrandt in 1642. This past April this "flash mob" or guerilla theater event was a project of the Rijksmuseum in the Netherlands to advertise with their slogan; "Our Heroes Are Back" that after an absence of one decade, all major pieces in the Rijksmuseum’s collection are back where they belong.

It helps to have the backing of a major multinational corporation when you want to document this intricate a staging. It looks like they had a dozen cameras and at least 2 dozen actors and free range of the mall to plan, rehearse and set props before the performance. When one desires to bring art to the people, a healthy budget makes smooth the way.  Still the really amazing part of the project, in my mind, was to inject a clear story into the staging. A gorgeous tableau would have been very effective but...the story, acted out in real time? Sheer brilliance. Imagine all the viewers talking to each other about the part of the story they actually were witness too.

And I wonder - did this elaborate staging work to get people to come to the actual art in the museum? Seems likely that it did since the prank itself garnered over 3 million views on youtube.
Guards of the Night Rembrandt 1642, Rijksmuseum, Netherlands


The videos show how they took one painting, a Rembrandt from 1642, Guards of the Night (above), and brought to life the characters in it, placed them throughout a busy mall and you can see for yourself how it all fell (literally) out.

Imagine what a group of storytellers with a lots of imagination or the backing of anybody or entity with deep pockets might be able to do? My mind is swimming with fun ideas.

Thursday, August 1, 2013

Like Banksy - only 1/100th as talented

Chalk-Le-chat: Like Banksy or Blek Le rat (only 1/100th as talented)

A different kind of chalking

By Norah Dooley

Last month I compared my work to Jenny Holzer and this week I am thinking about Banksy and his predecessor, Blek le Rat, (born Xavier Prou,1952) who was one of the first graffiti artists in Paris, and has been described as the “Father of Stencil Graffiti”.  Lest you think I am totally out of my mind -  I
Mon petit signature
shall clarify. I do not believe myself to be in anyway comparable to these world-class artists. I only mention them as examples of the inspiration for my work and to give some point of reference for what I am doing. Deciding I needed a "nome de plume" like my heroes ( my heroine, Jenny Holzer, is simply herself) and knowing that imitation is the sincerest form of mimicry I have, for now, settled on Chalk le Chat.

Cool, right? It is like Blek Le rat, only I am 1/100th as talented or prolific. I am also considering the moniker "Pastore Fata" after Shephard Fairey but he gets into a lot of  trouble so it ma be a bit risky.  Running with the Chalk Le-chat idea allowed me to
designed myself a little signature
( see left ). Mostly, I create really simple chalk drawings about the stories I have just told to surprise and I hope delight the children who stumble upon them. If they mystify and inspire those who have not heard my stories - that is great. The fact that the act is noncommercial and intends a democratic inclusiveness. I sometimes draw with my audience, teaching them how to use simple shapes to draw some of the animals that feature as characters in my stories. And other times I  leave chalk beside or nearby the drawings,  inside a chalk circle of words saying "Express Yourself".

Here  is the wiki entry for "street art"
Street art is art, specifically visual art, developed in public spaces — that is, "in the streets" — though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, sculpture, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, and street installations. Typically, the term street art or the more specific post-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.

Artists have challenged art by situating it in non-art contexts. ‘Street’ artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them.John Fekner defines street art as "all art on the street that’s not graffiti".

Whereas traditional graffiti artists have primarily used free-hand aerosol paints to produce their works,"street art" encompasses many other media and techniques, including: LED art, mosaic tiling, murals, stencil art, sticker art, "Lock On" street sculptures, street installations, wheatpasting, woodblocking, video projection, and yarn bombing. New media forms of graffiti, such as projection onto large city buildings, are an increasingly popular tool for street artists—and the availability of cheap hardware and software allows street artists to become more competitive with corporate advertisements. Much like open source software, artists are able to create art for the public realm from their personal computers, similarly creating things for free which compete with companies making things for profit.

Traditional graffiti also has increasingly been adopted as a method for advertising; its trajectory has even in some cases led its artists to work on contract as graphic artists for corporations.Nevertheless, street art is a label often adopted by artists who wish to keep their work unaffiliated and strongly political. Street artists are those whose work is still largely done without official approval in public areas. For these reasons street art is sometimes considered "post-graffiti" and sometimes even "neo-graffiti.St reet art can be found around the world and street artists often travel to other countries foreign to them so they can spread their designs.
Children join Chalk le Chat at Honan Librar
The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Some street artists use "smart vandalism" as a way to raise awareness of social and political issues.Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow. Street art can also be a form of political expression used by the oppressed and people with little resources to create change.

Banksy - © Clipstone Crop
From a blog that follows Banksy:
Banksy’s latest street pieces which appeared in London over the Easter bank holiday reworks an old anarchist slogan coined by Emma Goldman “If voting changed anything, they’d make it illegal.” The piece seems to be a reference to a spate of recent arrests in LA of street artists such as Invader and Revok who are involved with the MOCA show. — New Banksy street piece in London references arrests in LA.


Blek le Rat in LA
From the Street Art Blog, post NOV 19, 2011:

Blek recognized the great ability of street art to address the populace in ways other art could not. Through stencils often centered on social observation, Blek involved his viewers in a guerrilla war against complacency and conformity, highlighting the strength of the individual and inspiring a reflection upon the status quo. The guerrilla art we are familiar with now has much to thank Blek le Rat for, a point driven home with impact when looking at the work of notorious British-graffiti artist Banksy, whose style is not only based on that of Blek but whose subject matter (including soldiers, rebels and even rats taking over the streets) is inarguably influenced by Blek as well.

Monday, July 22, 2013

Public Reaction - street art in Brookline

Public Reaction - street art in Brookline

8:09 AM July 22, 2013 after a little bit of rain.
Now that we have had some rain the sidewalk is mostly clear of the chalk. Except where there were leafy brnches or a bench that interfered with the rain showeer, most of the chalk is gone. People have asked me what the reaction was to my project. I have recorded it all faithfully and share it here:

8:08AM July 22, 2013
Reaction #1 6:03AM 
Taxi driver: I see you are decorating my cab stand.
Me: Yes I am beautifying and edifying
(he walks from one end to the other )
Taxi driver: That's  good.  I like what you say.
( A fare gets in his cab and he is gone)
Reaction #2 6:45 AM  
Young Woman: Did you have to get a permit to do this ?
Me: Yes,  I have my permit right here, if you 'd like to see.
Young woman: I wasn't trying to cause trouble - just curious.
Me: No worries. I'm kinda bummed I needed a permit at all.
(she checks her phone, then looks at writing from both sides of bus stop bench)
Young woman: Are you a hippie or a radical?
Me: A radical. Definitely.
Young woman: I thought so.
Me: Kinda cool that you know the difference.
Young woman: There is 30% chance of thunderstorm this afternoon - what are you going to do?
Me: Nothing. Those are the breaks with chalk art!
( The #66 bus comes and she is gone) 
 
Reaction #3 7:49 AM
Thirtysomething woman: Excuse me -  there's a typo.
Me: Sorry?
Thirtysomething woman: : There's a typo*.  You have an apostrophe in its - there shouldn't be.
Me: O dear! I will fix it immediately.  Thank you.
Thirtysomething woman:  It is such a good quote - why spoil it with a mistake.
Me: True. Thanks again.
( The #66 bus comes and she is gone)


And that's the end of public engagement with this art as I was creating it.  This afternoon's rain should be the end of the visual installment. I want to complete the project so I may reapply.

Not to be picky but shouldn't we say a "chalko" instead of "typo"? 

Sunday, July 21, 2013

Chalking it up to age and...

Chalking it up to age and... love of our civil rights.

Sira meets Julia, 1984
It could all just be chalked up to my age, a love of democracy and an infatuation with civil rights. Our constitutional  rights exist to make our lives, culture and neighborhoods, civil. Gotta love that!  Yet, it was more.  I felt compelled to do my crazy and ill-timed ( for my  schedule) project for many reasons. One was to mark many decades of trying to find an effective way to be an artist and add something to the ongoing struggle for human dignity, justice and peace. Another reason was purely sentimental. My first ever Arts Grant was a teaching project in 1984, where I took a group of kids out on the sidewalks of Central Square Cambridge and taught them some drawing basics as we moved through the neighborhood, creating art in unexpected places. At some point during the 4 week project, WGBH covered our proceedings and the clip of us working in early July, 1984 was aired (or repeated?) on September 8th. This also was the day our 2nd daughter, Julia was born. A maternity ward nurse recognized me and said, "Who would have thought you'd be out drawing on the sidewalk and having a baby the same day?" I was confused but she explained and we sorted it out. Back in the day, we did not have a TV and I was too busy before and right after Julia was born to be able to track down and see that video.

4:15 am Jul 18, 2013
Through the years I have marked my birthday by asking my family to cut me some slack and take care of business so I would have the time to do something nutty like chalk drawing from dawn to dusk. I find the process of chalk drawing delightfully ephemeral, completely impracticable, a bit challenging and totally enjoyable. I am not even very good at  it at this point - so woefully out of shape am I. Not only is squatting difficult but I have not been drawing regularly for over 8 years. When you were never very gifted to begin with (like me) you'll find that your rendering chops fall away like a towel at a pool side. Still, it seemed like it would be too much fun not to at least try.

But in my 60th year, chalking had a new element; First Amendment Rights. A few weeks ago,  I had read about the then pending case of a young man being charged with 13 counts of "disorderly conduct" for chalking the following message "Corbett [Gov of PA] has health care and we should too." [see above] His fines could be as high as $13K and his sentence as long as 13 years. I was amazed. I was incredulous. Mostly, I was deeply affronted by this attack on our civil rights.

5:00 am Jul 18, 2013
A friend showed me several instances of similar cases and this moved me to include a political statement in my artsy-fartsy birthday plans. Here is one of the cases that especially piqued my interest: "A jury Monday acquitted a 40-year-old man of all charges connected with writing protest messages in chalk on the sidewalk outside branches of the Bank of America.  Deliberating for only a few hours, the jury...declared Jeff Olson not guilty on all 13 misdemeanor counts filed by Goldsmith’s office. Olson never denied writing the slogans.
One slogan said, “No thanks, big banks.” Another, “Shame on Bank of America.” And in yet another, the bank was portrayed as an octopus grabbing at cash with its tentacles. “It’s chalk,” Filner told reporters last week in an exasperated tone. “It’s water-soluble chalk. They were political slogans.”But courts have held that graffiti remains illegal even if it can be easily washed off, Goldsmith said. That the Bank of America contacted the city attorney’s office to reportedly urge prosecution has become part of the dispute. 
6:35 am Jul 18, 2013
Really? Corporations telling a DA who to prosecute? Faster than you can say "David and Goliath" I had chalk in hand and a full head of steam. I was pissed. BUT... instead of rushing headlong into this contested arena I decided to check my natural rash impulses and read the Town By-Laws. Finding no explicit rule against chalking on sidewalks,  I found a copy of a Brookline Rec Department flyer that invited citizens to participate in sidewalk chalk art. Then I also dug up a 9 year old article about me drawing in chalk on my birthday.  Thus prepared I called Town Hall the next day to see if drawing in chalk, in Brookline,  required permission. My first encounter was with the Building Department, which seemed like the wrong town agency but in fact, all signage and public space in Coolidge Corner are under the Building Inspector's jurisdiction.  Mike Yanovitch said that as long as my work was not "political or offensive" it should be fine. I bristled and my sub-clinical Tourette's kicked in and I blurted that I was not asking for a critical opinion on my art, just the legal stance of the Town of B on chalking sidewalks. Mr. Yanovitch immediately changed tacks and so did I. Within hours I had sent him an email thanking him and giving him tons of "background" information. And I waited.

6:55 am Jul 18, 2013
After 5 days I wrote again asking if Mr. Y had received my information. He had and said he was fine with the project and, he freely offered, without any prompt from me, that permission is not based  a "content thing" but that I did need to talk to Department of Public Works. So, I journeyed on.

I called Peter Ditto at the DPW. Mr. Ditto said the main issues were about space - I must not block traffic and I must leave a 4' wide for handicap access. I explained that I had taken some pictures of where I wanted to work and would send them. I added that I try to work before rush hour, 5AM - 8AM and likely would need more than one day due to my day job schedule.
7:00 am Jul 18, 2013
Mr. Ditto asked me to send the info I sent to Mr. Yanovitch and add to it locations of the sidewalks I was interested in, which I did in a neat pdf proposal. He said I should check in with the Police Department too. Only too happy to, said I BUT suggested that someone might issue a letter of permission just in case. What if not everyone on the BPD force gets the word of mouth that my actions have been authorized? In the past I have been stopped and challenged by officers of the law and always found it useful to have a document on my person. Mr.Ditto promised he would get back to me.

So, I waited. And waited.  On July 10, I received this email [below]… denying me permission.  This is where my story may have taken a very different turn if not for my fortune to count as a friend and colleague an ace, 1st amendment lawyer.  Enter (stage left) Michael Anderson.
A civilized exchange

Michael Anderson is a prestigious attorney, a wonderful storyteller and a fabulous Shakespearean actor as well. Michael's bio and tagline, which I have typed into many a program note ends with:

8:01 am Jul 18, 2013
"There is no such thing as free speech if you do not use it." It seemed like I was getting no where, fast, so  I wrote to him for advice on finding a pro-bono lawyer. He offered his service, a winning strategy and we hit the sidewalk - um, road, running. In no time Michael had cases, examples of chalk art on Town sidewalks and a very comprehensive letter formulated. When permission was officially denied, my lawyer ( sounds impressive, no? ) sent the letter to the Town Counsel. I believe there was a quick response by phone and after a conference between Michael and Jennifer Dopazo Gilbert, verbal permission was granted. And we waited some more. Finally, on July 15th I received my permit for 4 hours on July 18th of chalking in the areas I requested.

It is a victory. I know. But seriously folks? I thought that the Bill of Rights protected us average citizens who normally cannot afford a consigliere. Did I really need to explain myself so extensively, then lawyer-up and persist just to do a few chalk drawings? Apparently, the answer is yes. But my lingering questions are, should this be? And, if so, what are we going to do about it ?
Rosie takes a snap for me @ 6:55 am Jul 18, 2013






Wednesday, July 17, 2013

Birthday Art Project - July 18th - dawn


Photo by: Jacqueline Biggs
"Chalking is a spontaneous act of beauty."  - sidewalk artist, Norah Dooley

To celebrate her 60th birthday, on Thursday July 18 from 4-8am, Brookline artist Norah Dooley will execute an  art project in chalk on the sidewalks of Coolidge Corner. She says her work will be " A poor girl's Jenny Holzer."  Holzer is an American conceptual artist who is mostly known for her large-scale public displays of provocative words, mantras and ideas. Dooley's work is much smaller in scale and will feature small colorful mandalas and the sayings of dead and live presidents on the sidewalk. Dooley has executed similar works in the past in Central Square, Cambridge and Athol, MA.

"Like sand paintings, sunsets and other natural ancient forms, the art is meant to be temporary and, like life itself, fleeting" said Dooley.
The Town of Brookline initially refused Dooley permission. But with the help of ace First Amendment lawyer Michael Anderson, Dooley eventually convinced Town officials that she has a right to peaceful expression on the sidewalk. “The Town of Brookline allows commercial newspapers to put large newsracks on the Coolidge Corner sidewalks. If the Boston Herald gets to occupy public space to sell its point of view, then the Town cannot constitutionally prohibit me from expressing mine in washable chalk,” said Dooley. There has been much civil rights litigation over protest chalk drawing in the wake of the Occupy movement, from San Diego (where a jury acquitted a chalk artist of thirteen criminal counts) to Flint, Michigan to Orlando. “I am glad that the Town officials acted responsibly to recognize my free speech rights, rather than requiring us to go to court.”  


Below are the words she chose. They will be bracketed with mandalas - one will have in a circle of words  around it  -  "If you see something, say something." The other mandala will have just one  word : either " racism" or "poverty" or "injustice" or  "violence "

To sin by silence when they should protest makes cowards of men.
Abraham Lincoln

A nation does not have to be cruel to be tough.
Franklin D. Roosevelt

Peace and justice are two sides of the same coin.
Dwight D. Eisenhower

"A society's soul is most  keenly revealed in the way it treats its children."
Nelson Mandela

She says she is not sure about this last one.... "I may just add it as my signature!"

"...if I did not laugh, I should die."
Abraham Lincoln

What is this all about, really? The artist shrugged and said... " I like to add  beauty to disused public spaces and I have a friend who says 'Free speech isn't free if you do not use it.' Two birds with one stone?"

Tuesday, August 28, 2012

Meeting a Storyteller and Mentor



It is nice to know that Peggy Melanson and I both remember the moment when the light bulb went on for me the same way. I can still feel the excitement as I was listening to Peggy tell me the stories of the books she wanted to publish and I realized what a master storyteller she was.  Her first  public story performance knocked the socks off many people. She is one of my favorite storytellers. It is hard to pick favorites but a story about a crystal bowl from her  Buddha on The Bus©  collection is a tale that stuck with me and one of the first stories I heard.  Here she is a guest blogger.  I really hope  she comes out east and we get to hear her soon.  - Norah Dooley


Meeting a Storyteller and Mentor   

by Peggy Melanson


   I’ve discovered that quite a few people visualize “Storytelling” as a child sitting on a parent’s lap while Mom or Dad read stories from children’s books.  For a long time, I was one of these people.

            Until I met Norah Dooley -

Peggy Melanson
     While sitting in the waiting room of a new primary physician’s office, I noticed several large posters on the wall.  One particular poster caught my eye. It was a pastel watercolor painting of a lovely neighborhood with the title, “EverybodyBakes Bread, by Norah Dooley.  It was one of many children’s stories that the author had written. Looking closely at the poster, I noticed that she lived in Cambridge, Massachusetts.

     Since I lived in Somerville, the next town to Cambridge, I thought to look her up. At the time, I had no idea how brazen that idea was.

     When I arrived home, I called information and was surprised to find that Norah was listed.  Assuming that she would have a secretary, I planned to leave a message. I was very surprised when she answered the phone personally.

      I told her about noticing the poster and asked if she might advise me on how to get my brother’s Christmas Wishing Apple story published. I did not know that the process was very difficult.

     Many well-meaning non-writers say things like, “That’s a wonderful story, and you should get it published! Or, you should send that to Reader’s Digest.”  They have no idea what it entails.  Most people think all you have to do is call a publisher and they’ll rush to your door.

    I was astounded when she invited me to meet her for coffee at a local Cambridge coffee house.  We sat and talked for two hours.  It was wonderful to be with someone who understood my stories.

Love to mentor but really I just "connected" Peggy and she did the rest -NAD
 Suddenly Norah sat back in her chair and looked at me with a very serious expression and said, “My god, you are a storyteller.”  Visions of children on laps danced in my mind. “I responded, “What do you mean?”  Instead of explaining, she asked me what I was doing the following Tuesday evening. And, suggested we go to Foozles Book Store in Porter Square Cambridge to see Master Storyteller, Brother Blue. I was dubious about attending a children’s storytelling event. I was in for a very big surprise.

          When we arrived, I was astounded to see about twenty grownups and no kids in the bookstore. We got there early so that she could show me the process.  Brother Blue’s wife, Ruth Hill was in charge of the timing for people telling stories.  People wishing to tell a story, placed their name on a piece of paper that was placed in a basket. Names were randomly chosen and each teller had five minutes to tell any kind of story.  A featured teller was allowed thirty minutes at the end of the group performances.  When tellers reached about four minutes, Ruth would nod her head at the speakers to remind them they had only one minute left.  At five minutes, Ruth rang a ceramic bell to end the performance.  Later, I realized that those rules would be substantial in the timing of my stories, told and written.

     
                                                My First “Told” story

 I cannot find the exact words to describe that first experience.  “Stunned, mesmerized and enchanted to be in the presence of this wonderful couple.” Later I discovered that the group was (and still is) called, The League for New England Storytelling” L.A.N.E.S. I’m still a member today

        For some reason, I felt absolutely comfortable standing up to tell the true story, “Teenage Buddha.” As I will mention later, Brother Blue and Ruth made me feel that my story was the most important in the world.  The people that attended congratulated me.  And, Norah, kept saying, “I told you that you are a storyteller. “Now, do you know what I mean?”  It took a while for it to sink in.

         Soon after that evening, Foozles bookstore closed and “Storytelling Night” would be held for many years every Tuesday evening at Sherrill Hall Library at Harvard University.  I attended every event and it was wonderful getting to know other people with like minds. And, Norah still helps me with advise

        In early 2000, Robert Smyth, Publisher of Yellow Moon Press sent out a call for stories about Brother Blue and Ruth.  I was honored to have my story, “Seeds of the Universe,” chosen and it was published as, “Brother Blue-Golden Comet in 2001.

My first “Fantasy style” Story follows:

                                                Seeds of The Universe

   While driving alone, just before the rain, down a dark and winding road in Arlington, Massachusetts, a falling star caught my attention. Shooting across the heavens, it seemed to come straight at me.  A little bit frightened and filled with awe, I drove faster to get out of its path.  When I turned to look back, I saw a jagged burst of lightning pierce the night sky.  The brilliant flash of light streaked low and over the tall trees behind me. It was then, that I remembered who Brother Blue was and how we were connected.

         Pulling my car over to the side of the road, I wrote this story on odd bits of paper found in the car, while the rain pummeled the roof and the thunder and lightning crashed around me.

         It was a millennium ago while slumbering in my ancient soul that a golden comet streaking through the heavens awakened me. The splendid brilliance raced through earth’s atmosphere, weaving and dancing amidst a stand of trees.  As if searching, it moved and then suddenly struck a colossal tree, setting it ablaze. Glowing and split in half, though still attached at the roots, the tree thundered to the ground. Sparks from one half of the burning wood flew like fireflies, imbedding themselves within the tall timber of the surrounding forest.  Deep, deep, deep they burrowed, to slumber within the wood, waiting to be awakened when the time was right. Thus Brother Blue was born to seed the world with stories.

         Spiraling shafts of light from the other half of the felled tree sprang up and raced to spin protectively and embrace the trees that the sparks had entered.

         It was then that Ruth was released to preserve and shield Blue’s brilliant seeds. Born together out of the unity of the universe and brought to earth from the light of life, Brother Blue and Ruth prepared the world for their children - stories!

         Many years passed before fire was discovered and wood was used as its fuel.  As people came to sit around the fires, Blue’s sparkling stories awoke from within the pieces of burning timber. They began to snap and touch the cave dwellers who sat for warmth.  Slowly at first, with hesitancy and care, the act of sharing stories gave birth to other sparks that entered other people and stories spread throughout the centuries.

         My primordial soul came to life again, one day when a storyteller, Norah Dooley walked me into a cave of books where Ruth and Blue’s children lived.

         I saw my ancient Father and Mother and my brothers and sisters in all the pages made from the wood of those spark filled trees.

        Many people were there, drawn to Brother Blue’s light and Ruth’s glowing kindness because fireflies of memory danced in their minds.

         Blue stood before them, dressed in a rainbow of butterflies, arms raised, eyes cast towards the heavens, perhaps seeing his own comet’s light and pronouncing wonders.  When he took my hand and proclaimed that my first told story was perfect and wonderful...I believed him.  When I saw the smile and flash of agreement in Ruth’s eyes, I felt the rolling of the old thunder.

         On that day, the world hesitated in it’s turning to allow my ancient soul to be awakened once more by the power of Brother Blue’s ageless, universal spirit. My own spark was set free to fly around the campfires of the world, telling, telling, and telling. And I’m home again!
+++
SIDEBAR:” Teaching and inspiring others" won Peggy Melanson the opportunity to be a Torchbearer for the 2002 Olympics. She was also awarded "Cool Woman of America" by American Movie Classics Television Network and selected, “Ms Congeniality” by the Golden Girls Pageant. Peggy is a writer and storyteller, Mixed media and Zentangle She also is a” One Woman Comedy show” presenter. As a freelance writer she has written columns for several New England magazines and newspapers. Peggy is presently working on "Dancing on the Roof,” a Memoir.





Thursday, November 10, 2011

Tokyo - Nov 11, 2011

Whooeeee! It is Friday already and I can hardly believe I am here! Plane journey was relatively easy (considering how much I hate it) and without complications. I liked Air Canada and Toronto Airport has a ton of lovely public art.  But mama mia, I am a long way from home. Below is a youtube of some pictures - a little backwards look at my journey which did take the better part of a day.

I fell asleep at 6:30PM Tokyo time, for a little nap.  And woke up 12 hours later.  Very rested and totally excited to be in Japan. On the way from Ueno station to Bunkyo-ku I noticed aka-chochin ( red lantern bars that stay open late for food and beer) loads of bicycles and vending machines on the street which I remembered from 35 years ago.  I looked out from the sixth floor of the appahto, where I am staying and listened to early morning bird songs and watched people walk to work under umbrellas, looking just like Hakusai- Edo period block prints. Sugoi desu neh? Now to work! First talk is at 1PM today, to undergraduates at Aoyama University on the importance of storytelling. And I am looking into the work of this modern day Japanese performer that Tim Erenata told me about.

http://www.yomiuri.co.jp/dy/national/T111020004412.htm

Waku-waku, suru! Very excited. Matta, neh?

Tuesday, November 8, 2011

Kamishibai and Why I love Powerpoints: Insight from wikipedia

Kamishibai and Why I  love Powerpoints: Insight from wikipedia
Tokyo kamishibai with a mic
Looking at pictures and talking about them must be in my DNA. I love making and working with Powerpoints and digital projectors. Perhaps, many, many years ago a distant relative or ancestor was a "cantastoria" who told stories with i giuglliari di piazza or the "jesters of the square"

kamishibai
Cantastoria (also spelled cantastorie, canta storia or canta historia) comes from Italian for "sung story" or "singing history" and is known by many other names around the world. It is a theatrical form where a performer tells or sings a story while gesturing to a series of images. These images can be painted, printed or drawn on any sort of material.  Picture stories were also popular in Asia. In 6th century India religious tales called Saubhikas were performed by traveling storytellers who carried banners painted with images of gods from house to house. Another form called Yamapapaka featured vertical cloth scrolls accompanied by sung stories of the afterlife. In Tibet this was known as ma-ni-pa and in China this was known as pien or transformation story.

In Indonesia the scroll was made horizontal and became the wayang beber and employed four performers: A man who sings the story, two men who operate the rolling of the scroll, and a woman who holds a lamp to illuminate particular pictures featured in the story. Other Indonesian theater forms such as wayang kulit shadow play and wayang golek rod puppet shows developed around the same time and are still performed today. In Japan cantastoria appears as "etoki" or "emaki" in the form of hanging scrolls divided into separate panels, foreshadowing the immensely popular manga, or Japanese comics.

Surrounded by children
Etoki sometimes took the shape of little booklets, or even displays of dolls posed on the roadside with backgrounds behind them. In the 20th century, Japanese canndymen would bicycle around with serial shows called kamishibai where the story was told to a series of changing pictures that slid in and out of an open-framed box.

In aboriginal Australia storytellers paint story sequences on tree bark and also on themselves for the purposes of performing the tale.

In the 19th century giant scrolling moving panorama performances were performed throughout the United Kingdom and United States. The 20th century has seen cantastoria employed by the radical art, theater and puppetry movements to tell stories from perspectives outside of the mainstream media, especially by the Bread and Puppet Theater. Elements of picture storytelling can also be seen in the portable mural-posters of the Beehive Collective.

Saturday, July 30, 2011

The Sweet Doing of Nothing July 23rd,2011


Patti is the gardener.  We appreciate and eat.  She plants, weeds and waters.

Our first day of official vacation involved rising early and paying bills, answering and emptying email in-boxes until 3PM. This seemed an inauspicious but necessary start to a week without internet and sometimes even without cell phone as we would see once we were au Canada ( O,Canada ?). I felt guilty for being the cause of such a late start. But we were rewarded by the beauty and  hushed industry of bees and butterflies as soon as we arrived. The slanting light of early evening gave the garden a  luxiourious butterry wash. Ah. En vacance. I forgot all and simply enjoyed the “dolce far niente” – Italian for the “sweet doing of nothing”.

Tuesday, September 7, 2010

Millionaire Pt. 2: The written WWTBAM pre-audition prep

Meredith Vieria seems to genuinely enjoy her work
Below is some of what we had to fill out and bring with us. They knew our name, gender, age and address from the online form.  In the email, they called what we were doing an "audition" and that sounded very exciting. But the abc staff never saw my answers below because you have to make the first cut to actually have an "audition" where your picture taken and your application read. WWTBAM ( my lazy acronym - abc writes our their name) stuff is in blue...
    •    If you are selected from the Contestant Pool as a potential contestant, you must be available for a qualifying phone call. Please list the phone number(s) where you can be reached Monday through Friday between 9am and 5pm Eastern Time.




 If contacted by
WWTBAM staff, all applicants must return phone calls Monday through Friday between 9am and 5pm EST     ELIGIBILITY

    •   Are you or any member of your immediate family (spouse, mother, father, daughter, son, sister, brother and their spouses) or anyone living in your household currently employed by:
etc. etc a longish list. And then the usual
Do you or any member of your immediate family or anyone living in your household know any persons who are or have ever been connected with the production, administration or judging of “WWTBAM”?  This last bit was no surprise: Contestants are solely responsible for all expenses incurred in connection with their appearance on the Syndicated Program with Meredith Vieira including, but not limited to, travel to New York City, hotel, meals and all other expenses.  The Program Sponsor will not reimburse any Contestant for such expenses.  Do you agree to be responsible for all costs incurred by you in connection with your appearance on the Syndicated Program? Y X     N ___

Then this next part was way more fun. But very hard to suss out just what angle of my life story would fit their needs or get me on their show. Luckily I did not have a lot of time to worry over it. The
WWTBAM asked this:

Married X Single __________ Attached _________ Kids? X 4 lovely daughters
Status

BFA in Painting, Museum School/Tufts and MEd in Creative Arts in Learning/ Lesley University
Education (Name(s) of Colleges and Degrees)
Free lance storyteller, educator and children’s picture book writer. Co-director of a no budget, no-profit storytelling organization with big dreams of becoming a low budget, nonprofit
organization.
Occupation

Please answer the following questions:
1. Quirks, rituals, superstitions…What makes you unique? I play really loud  music in my car -  hip hop, rap, blues, folk, opera and I sing and/or dance  while  I listen.  When a family member next uses the car and turns the ignition they get BLASTED with  sound. Then they blast me. Possibly the only fan of Charlie Parker, Nas, MIA, Olatunji, Wyclef Jean, Punjabi MC, Shakira, Ani DiFranco, Arlo Guthrie, the BSO and Puccini that I know.

2. How would winning $1 million change your life? 

Short answer ? If I actually won the full Million? Wow!  I’d pay off our kid's college loans and buy a big enough house for the whole extended family to live together. And then continue to do the work I love.  As one of  two self employed parents in a flat economy I would cease worrying about my art habit. I love the work I do but our health insurance payments just tripled and my income is very, how you say, ...artistic.  

3. What is one thing you do that makes people laugh? 

I do incredibly stupid things and then tell the story …or I live through incredibly difficult things and tell a story. My imitations and accents make people laugh – been described as Robin Williams with larger mammary glands.

4. If you could nominate yourself as best-_____ or “most likely to_____,” what would be your vote?
I am “most likely to be distracted by anything vaguely interesting about almost anything.” And I am the fastest  Wikipedia researcher in my  circle of friends. I hate to hear opinions quoted as “facts” . When our kids were little  we used to have an encyclopedia next to the dinner table room and I constantly went to it to check or prove a point –  and then get lost in some random stuff. Thank god for iPhones. Wait, you mean I have to leave mine home, huh? Yeah, I guess I knew that.

5. What do you do for fun?
I play the violin/fiddle. I love to sing but I suck at it. Sing in a gospel choir.  Ride my bike places in the city.

6. You’d never believe it but I once… 

Some people will NOT believe that I wanted to be a nun until I was 13 years old. My Auntie Vera used to say  " Don’t do that ! You’ll be on your knees praying and scrubbing all day! You should get married”.  But this was before the woman’s movement and since we are of Italian “distraction” I couldn’t really see the difference.  If I married 'a nice Italian boy' as she suggested,  I would be on my knees all day, praying and scrubbing. But, stuff happens.  Been married 29 years and have 4 children. No “habits” in my future except bad ones. People would pretty much believe anything about me but they are very surprised when they hear how morbidly shy I was until I was about 15 years old.

7. Why do you want to be on Millionaire?
Been watching the show while spending time with  my 92 year old mother -in-law and I have been inspired to try. If I won ?  I’d a buy a big enough house for our whole extended family to live together. Grandma and all.  Then we could all be together and I would still get to do the creative work I love without worrying about making money at it. Besides, all this random info in my head must have some use.  And,  I love a challenge.

8. How did you hear about the audition?
The announcement on the show sent me online.


With a shrug,  I printed my email, my audition form and remembered to remove my Leatherman and Allen wrench from my bag. Then I bought a MegaBus ticket on line.  NY, NY, here I come.


In part 3 - Read how Getting there really is more than half the fun...
New York City SerenadeNY, NY - what a town! Image by joiseyshowaa via Flickr


Here is an interesting article on the show and how the recession has changed the way people are playing. Actually WWTBAM has really changed the format of the game and  it will be played very differently this season, I think in response to this trend:
 The economy is having an effect everywhere - even on game shows. Indeed, the downturn is having an impact on how people are playing "Who Wants to Be a Millionaire," said host Meredith Vieira.
"I've seen more contestants who are playing for things like a mortgage payment," Vieira told reporters last week, "or, you know, because they don't have a job right now, or their kid suddenly can't go to college."

The real big gamblers are not there as much.
"On the other hand, what you're getting will be stories about people [for whom] this means a lot," she said. "It's more than just a game, so - it's life-changing money, and I think that's exciting in and of itself."
Read more: http://www.nydailynews.com/entertainment/tv/2009/10/12/2009-10-12_economic_crisis_affecting_contestant_behavior_on_who_wants_to_be_a_millionaire_a.html#ixzz0yZRVPlTF




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