Showing posts with label storytelling. Show all posts
Showing posts with label storytelling. Show all posts

Wednesday, July 12, 2017

Live storytelling - this summer


Storytelling for 3-8 year olds at nearly 50 sites across the City of Boston. As I have for the past 18 summers I will be a storyteller with ReadBoston.org's Storymobile. Here is an excerpt from a blog about the Storymobile experience contributed by OWD summer intern Nick Zaffiro: 
Storymobile events aren’t simply about gathering and entertaining children; instead, the program aims to inspire kids to be creative and imagine. That mindset is the bridge to literacy, which the program promotes by giving books to every child who attends.
“[The Storymobile] provides high quality literacy programming to low-income children throughout Boston in the summer, when children are most at risk,” says Katie Sullivan, who oversees ReadBoston’s Storymobile program..."
This wonderful work takes me all over the great city of Boston. The program features free storytelling every weekday for 4 weeks in day care centers, summer camps, libraries and parks. READ BOSTON Storymobile: Professional storytellers perform and each child gets a new, high quality, picture book.


LIVE STORYTELLING IN BOSTON 

Late July and early August 2017 

JULY 13th BOSTON
Tadpole Playground/Boston Common
Thursdays at 10:00

Tuesday JULY 25th DORCHESTER
College Bound Dorchester 
18 Samoset Street 10 am
Codman Square Library 
690 Washington Street 11:15am
Lower Mills Library 
27 Richmond Street Tuesdays at 1:15pm

Wednesday JULY 26th SOUTH BOSTON
Laboure Early Childhood Center 
275 West Broadway Wednesdays at 10:00
South Boston Neighborhood House 
1187 Columbia Road Wednesdays at 11:15
South Boston Boys & Girls Club 
230 West 6th Street Wednesdays at 1:15

Thursday JULY 27th ALLSTON/BRIGHTON 
Rivendell Day Care Center 
406 Cambridge Street Thursdays at 10:00 
Jackson Mann Community Center 
500 Cambridge Street Thursdays at 11:15
Honan Allston Library 
200 North Harvard Street Thursdays at 1:15


Friday JULY 28th ROXBURY
Egleston Square Library 
2044 Columbus Avenue Fridays at 10:00
Madison Park Community Center 
55 Malcolm X Boulevard at 11:15
Gertrude Howes Park
70 Moreland Street  at 1:15pm


Wednesday AUGUST 2nd ROXBURY
Yawkey Konbit Kreyol Center for Early Education and Care
185 Columbia Road Wednesdays at 10:00
Grove Hall Library 
41 Geneva Avenue at 11:15
St. Katharine Drexel Parish Center 
175 Ruggles Street at 1:15pm

Friday AUGUST 4th DORCHESTER and MATTAPAN
Gertrude Townsend Head Start
198 Geneva Avenue at 10:00
Mildred Ave Community Center 
5 Mildred Avenue at 11:15
Mattapan Library 
1350 Blue Hill Avenue at 1:15



Monday, October 26, 2015

Boston Harbor, Summer and Fall - 2015

Teaching knots and pirate lore at Carson Beach, August 2015 Photo by: Joe Prezioso, SaveTheHarbor.org
At the beginning of this project, what I didn't know about the Boston Harbor would have filled several volumes. The history of the harbor is as rich and as varied as the centuries and the waves of people that created it.  This summer,  my usual work expanded as I was invited to be a storyteller for Save the Harbor, thanks to a grant from MassHumanities. The amazing activities available to the people of the Commonwealth on the beaches in and around our harbor blew me away. I was honored to be even a small a part of it. As I traveled from beach to beach,  I witnessed kayaking, fishing, swimming, surfing and all manner of environmentally sound engagement with natural life. All this activity peopled the shores as I told and exchanged stories as part of the Better Beaches summer crew of SaveTheHarbor/Save the Bay.org, Boston's premier, non-profit public interest harbor advocacy organization. Save the Harbor is directed by Bruce Berman, who leads and is supported by thousands of citizens, as well as scientists, civic, corporate, cultural and community leaders in a mission to restore and protect Boston Harbor, Massachusetts Bay, and the marine environment and share them with the public for everyone to enjoy. By the end of this month I will have visited and performed at beaches from Lynn to Hull and seen a lot of the great beaches that are closest to Boston in South Boston and Dorchester.

The wheelhouse of the Provincetown. Thanks, Captain Mark Aborn!
 USS Wyandot - circa 1966

This past Saturday,  I went on a cruise to Spectacle Island, one of the many Boston harbor islands that are now a National Park. Save the Harbor sponsors several of these great outings that are free and open to the public and draw hundreds of folk of all ages and stages of life.  I signed on as pirate Mary Read who sailed during the Golden Age of Piracy as 'Mark'. At the dock, our boat, the  Provincetown loomed high and as I looked up at the bridge, a fleeting wish to get to visit passed through my mind. Imagine my delight when less than 10 minutes later  I was invited to the wheelhouse of the Provincetown to use the PA system and announce my plans to share stories. What a blast! The last time I was in a wheelhouse was 1966. Our father, who was in the Merchant Marine had taken a job as the navigator of a ship bound for the South Pole. We went the Brooklyn Navy Yard where he had worked for years and for the first time actually boarded a ship.  We had lunch and spent the better part of a day exploring his vessel, the USS Wyandot. I remember we had the run of the bridge. Ever a geek, I was fascinated by all the controls and nautical paraphernalia. Confused by seeing two wheels, one metal and one wooden, we were told that the "old fashioned" wooden wheel was necessary due to the extreme cold the folks on the bridge would experience. I also remembered snagging some neat paper forms for "ice reports" which had descriptions and drawings of the many different forms of ice they would encounter.  That flood of memory receded as the Provincetown's whistle blasted and I got to watch as the captain smoothly moved the boat from the dock and we were underway in Boston Harbor! There is something about the way boats move that I just love.

Below decks on the Provincetown ( it was a chilly day) I interacted with people from all over Greater Boston and beyond, telling and listening to stories. One fellow was from LA where he was a water treatment specialist. He was interested in the story of Spectacle Island and had his own to tell about an LA landfill that now is a Botanical Garden.  Many families were on a boat or visiting a Boston Harbor Island for the very first time. The excitement level was high! Once at Spectacle Island we hiked a bit after sharing some stories from the summer programs.   I told stories about the islands and pirates at the Krystle M. Campbell Memorial Gazebo, a somber reminder of the tragedy of the everyday from a peaceful look out.  On the return voyage, I told more ghost stories and trivia about the islands, and the surrounding bay including: Bumpkin Island, Minot's Ledge, Deer Island Long Island, Thompson Island, Georges Island, Little Brewster Island and Nixe's Mate. Here are some of the questions I answered with stories. These are just the tip of the stories that inhabit the islands and harbor of Boston.

Q&A Trivia, Ghosts and Haunts: What Boston Harbor Island?
1.    Where is the Lady in Black said to roam?
2.    On what island is her body buried - where does the Lady in Scarlet moan?
3.    If you light a fire, during the winter,  the ghosts of hundreds of Native Americans will surround you? They died in 1676-77.
4.    On which island does a little girl call for “Shadwell!” and why?
5.    On a stormy night, you may hear the distant ringing of bell and a man’s voice cry “ Stay away!” in Portuguese? [Va embora!] (not an Island, but in the Harbor)
6.    Don’t respond to the cries of drowning boys off the shore of this island, they died 100s of years ago…
7.    He predicted the fate of what island when he met his own fate at the end of a hangman’s rope.
8.    The first hospital with ramps for the handicapped in 1902 on what island?

ICYM me all summer? I will be performing with an amazing line-up of storytellers at the Hull Life Saving Museum on October 29th 2015. Harbor Haunts is performed every other year around Halloween. Most of the stories will come from Edgar Snow's work. He recorded local legends of ghosts, pirates, storms and shipwrecks. The evening will include legends about Boston Light, A Lady in Black, The “Fantom” Fiddler and The Legend of Minot Light among others. The Lifesaving Station provides a great atmosphere for storytelling. I will tell the story of Ocean Born Mary.

On November 20th at 3:30pm I will perform a show for upper elementary ages in the Children's Room at the Winthrop Library in Winthrop MA . I appear in full costume as Mary Read telling stories about ghosts, heroes and pirates of Boston Harbor.

Thanks again to MassHumanities and all the crew at SaveTheHarbor/Save the Bay.org for inviting me on what has been a voyage of discovery, in my own "backyard." What I now know about this beautiful public resource could fill a book.

Raymond T. Dooley is the guy in the middle.
 

Monday, July 27, 2015

10 Favorite Riddles

 Norah performs at Boston Common for ReadBoston.org  July 23,2015
(Today I will be performing as Mary Read in an extra set of performances at the Boston Children's Museum  from 11:30am - 1:30AM in a show called Pirate Storytime sponsored by SavetheHarbor.org ) This summer, whether performing for ReadBoston.org Storymobile or Save the Harbor/Save the Bay, I love to use riddles to get people of all ages thinking. As Mary Read,  aka, Mark Read, a retired pirate from the last days of the Golden Age of Piracy, I emphasize that common sense and quick thinking were a pirates most important "weapons"  The connection between spoken word and literacy is strengthened through storytelling and word games like riddles. ReadBoston's Storymobile is a unique project that honors the spoken to written word connection every summer with an amazing program that brings professional storytellers to nearly 80 sites all over the city of Boston. The storytellers perform and then Read Boston gives out a free book to every participant. Recently, storytellers Andrea Lovett and Nicolette Heavey have brought a similar program to Brockton, Andover and Lawrence and other cities in the Commonwealth. Read more about their endeavor here:  https://www.facebook.com/StoriesInTheStreets.

As for Riddles?  Here are 10+ one of my favorites. And the answers to: Pirates: True or False

1.    What is greater than God, More evil than the devil?  The poor have it, The rich don’t need it, And if you eat it, you’ll die?

2.    What must I give you so I may keep it?

3.    What do I break every time I say it?

4.    Who makes it, has no need of it. Who buys it, has no use for it.  Who uses it neither sees nor feels it.  What is it?

5.    If you have me, you want to share me. If you share me, you haven't got me. What am I?

6.    Always coming but never here?

7.    Forward I am heavy, but backward I am not. What am I?

8.    What gets wetter and wetter the more it dries?

9.    Which creature walks on four legs in the morning, two legs in the afternoon, and three legs in the evening?

10.    What occurs once in every minute, twice in every moment, yet never in a thousand years?

11.    Three big men under a tiny umbrella yet no one gets wet, why?


Give up?  Not yet! Come on. Think some more. Ask a friend. Try harder! And then check your answers below.


The answers are in Spanish. Se habla espanol ? ¡Bueno !  Otherwise? You will need to find a bi-lingual friend or Google translate to decode.

1. Nada


2. Mi Promesa


3. Silencio


4. Un ataúd


5. Un secreto


6. Mañana


7. Ton (No)


8. Una toalla


9. Un humana


10. "M"


11. No está lloviendo.

Answers to the T F Pirate quiz ( see handouts at live shows) :

T √ 1.The name “Jolly Roger” may have come from jolie rouge –French for “pretty red”
T √ 2.Pirating was not for sissies.
T √ 3.Buccaneers were pirates who lived on meat from cattle and pigs in the areas of Haiti and the Dominican Republic. Their name comes from the French word for outdoor roast or barbecue. Their name comes from French cooking frames used by hunters in France to smoke and preserve meat, "la boucane"
F √ 4. Pirates were more likely to smoke out foes below decks using stink pots rather than fight it out down below. If they needed to go down below they probably covered their eyes for a minute or two (if the situation permitted it) and then headed below. They would not wear eye patches. This is the same method soldiers use today (if they lack night vision equipment).
F √ 5. There are no historical cases of people being made to walk the plank. Pirates marooned,shoved overboard or hacked their enemies to death. Not very nice folk, really.
F √ 6.Pirates didn't have much gold or silver to bury and most pirates had a 1 - 3 year "career". Very few saved for a rainy day or retirement. And “booty” was often food stuff, gunpowder and other supplies. The idea of a buried treasure was made popular by "Treasure Island".
T √ 7. Ooo la la! and “Ho ho ho and a bottle of rum!” In 1655 when the British fleet captured the island of Jamaica the British Navy changed the daily ration of liquor given to seamen from French brandy to rum. The practice of watering down the rum began around 1740 a mixture which became known as grog.

F √ 8.When pirates were caught, they were brought to trial and sentenced to death by hanging and hanging was referred to as “dancing the hempen jig”
T √ 9.Bless their merry souls, pirates had such cute names for things.
T √10.Piracy is a big problem in the Pacific and Indian Oceans and particularly along the coast of Somalia. Modern day piracy accounts for $13-$16 billion dollars in losses annually.
T √ 11.Shi Xainggu (better known as Cheng I Sao) was active between 1801-1810 in the South China Sea. She commanded five to six squadrons of 800 large junks, about 1,000 smaller vessels, and between 70,000 and 80,000 men and women.
T √ 12.Clever and new agey before their time pirates may have known that the ear lobe is an acupuncture point for several eye conditions. It is quite possible that the practice of ear piercing was brought to the west from the eastern trade routes.

Tuesday, July 7, 2015

Norah Dooley, storyteller • Summer Schedule 2015

This summer appearing at various Boston Harbor beaches Photo: by Joe Prezioso Courtesy of Save the Harbor/Save the Bay
Summer time is usually a busy for me. Even more so this year. Not only am I transitioning out of the executive director role at massmouth.org  [See more here ]I am also really busy teaching [See more here] and performing for families and children. I am very grateful for the artistic challenges and the paying work. The summer started with a solstice performance for families at HubBub, an offshoot of the Boston Book Festival. It was a gorgeous day in Copley Sq. and fun to perform with Tony and Andrea.
with Tony Toledo and Andrea Lovett at HubBub on June 20th 2015
HubBub- June 20th Saturday, 12 noon in Copley Square Norah with Tony Toledo and Andrea Lovett.
Save the Harbor/ Save the Bay- I am, appearing as Mary Read, retired, cross-dressing 18th century pirate, near or, in Boston Harbor, or one of the beautiful islands. 10 -12 performances and workshops from July 2 - September 21st, 2015. Some details are:  July 25th- Hull Harbor Illumination - possible appearance
August 2nd- Boston Seafood Festival at the Fish Pier 10:30am-5:00pm August 8th- Family Fun Day at Tenean Beach in Dorchester from 9am-11am August 14th- STH Youth Beach Bash and Splash from 10am-2pm AUGUST 22 Saturday at 1pm • Princess and Pirate Parade at Winthrop Beach. Details TBA  Town Manager’s Blog or  Facebook August 29th- Dorchester Beach Festival from 12pm-8pm - my performance time TBA

READ BOSTON Storymobile: A rocking literacy program in the City of Boston. Each storyteller has 3 shows per day at various sites around the city of Boston at 10am, 11:15am and 1:15pm.  Listed below are a few readily accessed public sites and at the 11am show unless otherwise noted. See below and more info at Read Boston site.
  • Mon   July 13 - Mattapan Library, 1350 Blue Hill Ave, Mattapan
  • Tue    July 14 - Roxbury YMCA, 285 MLK Boulevard, Dorchester
  • Tue    July 21 - Tierney Learning Center, 125 Mercer Street, South Boston
  • Wed   July 22 - Kroc Center, 650 Dudley Street, Dorchester
  • Thursday July 23 10AM TADPole Playground at the Boston Common, Boston
  • Fri     July 24- 10AM Children's Quarters, 36 1st Ave,  and Charlestown Library, 179Main Street, Charlestown
  • Mon  July 27 -  Salvation Army Learning Center, Dorchester
  • Wed  July 29-  Billings Field, Centre Street and LaGrange Street, West Roxbury
  • Fri     July 31- Boston Nature Center, 500 Walk Hill Street, Mattapan
  • Mon    August 3- 10AM Copley Library, 700 Boylston Street, Boston Back Bay and 1:15pm Salvation Army 1500 Washington Street Library,  South End
  • Wed    August 5 - Grove Hall Library, 41 Geneva Avenue, Dorchester
  • Mon   August 10 - United South End Settlements, 48 Rutland Street, South End
  • Wed   August 12 - 10AM Lower Mills Library, 27 Richmond Street, Dorchester
  • Thurs August 13 - Connolly Library, 433 Centre Street, Jamaica Plain
1794 Meeting House, July 19th, Sunday at 4 pm New Salem MA -  storytelling with Norah Dooley and friends; Brendyn Schneider and Jannelle Codianni.
Phinehas Newton Library, Royalston, MA  July 20th, Monday at 10am in Royalston, MA -  stories from the flora and fauna of Royalston with Norah Dooley
All Star Show at Club Passim - July 20th The massmouth All Star Show features 5 minute long stories by winners from 6 years of story slams in Greater Boston. These All Stars are storytellers who were finalists or winners in Boston story slam finals (The Big Mouthoff) with a cameo by Norah.

Norman Rockwell Museum - August 6th, Thursday 5:30pm  Stockbridge MA  features short stories on the themes "like family" and "in a different light". Featured tellers are Ben Cunningham, Tony Toledo and Norah Dooley will also lead a short workshop and open slam, as story slams head west from  Greater Boston. 

Roast and Toast & other fun! SATURDAY AUG 8th 2015 in Beverly MA •  Write to Tony Toledo for details... Fanueil Hall - starting in June a storytelling series on Tuesdays at 10 am I am performing on July 7th, August 11th and October 27th.

Friday, July 3, 2015

Don't Cry For Me...

Don't Cry For Me

Storytellers... the truth is, I'll never leave you.

Madonna as Evita Peron.
Don't cry for me Argentina ( storytelling), The truth is I never left you
All through my wild days, My mad existence
I kept my promise, Don't keep your distance...
I had to let it happen, I had to change, Couldn't stay all my life down at heel, Looking out of the window, Staying out of the sun...
- Evita  Andrew Lloyd Webber,  lyrics by Tim Rice

Not to get too dramatical but, hey... if I don't self-dramatize, who will? It is kinda a like brushing your teeth, right? It is hard for someone else to do it for you. 

Anywho, this July,  I will be resigning as ED of massmouth,inc.  My "new" job is really my old job as a professional freelance storyteller and educator. Plus office work in my husband's company. After we do some necessary fundraising and settle the nonprofit books and reports to finish out another season/ fiscal year I will  pass along the massmouth baton/brand to a small cadre of storytellers. They are H.R. Britton, Dan Dahari, Cheryl Hamilton, and Theresa Okokon. Come to the All Star Show at Club Passim where we will announce details. If you cannot make the show the news will be posted in a newsletter, twitter, FB and massmouth.blogspot.com.  

As we work on the transition, the world still turns, irregardless, as we liked to say in NY.  And I still need to work. By mid-August, I hope to be more free to be the active freelance artist, performer and educator I was before massmouth,inc. 

To be clear, I am not retiring and will continue to direct the StoriesLive® program and create events, programs and projects that promote the art of storytelling. Basically I will continue to do the work I love, the work I am good at and work people are happy to pay me for.  

So many people were so kind for years and I thank them all for their support and generous donations of time and money to the massmouth project. Thanks to all of you, we have raised up storytelling in Greater Boston and throughout the Commonwealth - which was our mission. We truly shared our common wealth of story and we did "... promote the timeless art of storytelling in the 21st century." 

Drama is fine but gratitude is truly called for. I have been privileged to be able to do this work because of the contributions and sacrifices of others.  Here is what I posted in my "official" letter to the massmouth,inc. lists this past week:

Thank you! It has been a pleasure and honor to play an integral role in the revitalization of storytelling in Greater Boston through my position as co-founder and executive director of massmouth,inc.

After so many story slams, events, and workshops, my head and heart are full of stories and it has been a source of deep joy and inspiration. Yet, after six years of full time commitment, I am stepping down from my position as unpaid executive director.

Fortunately, I am able to leave the day-to-day running of this organization in the hands of a small cadre of dedicated storytellers, including H.R. Britton, Dan Dahari, Cheryl Hamilton, and Theresa Okokon. The team is eager to see massmouth continue and we are currently working together to redistribute the behind-the-scenes operations of the organization. Knowing these individuals well and their deep commitment to advancing the art of storytelling, I believe massmouth is poised for future success. 

The new officers ask for your patience during this transition. They look forward to sharing next steps in the near future. At this date we can confirm that there will be a Season VII Slam series beginning as always in Sept/Oct, 2015 at Club Passim in Cambridge and Trident Book Store in Boston. Additional venues are also being considered. To extend your support or ask questions, email info@massmouth.com.

Meanwhile, I am excited to refocus my time and energy on remunerative freelance storytelling, teaching, recording and writing. [See more here]. I intend to redouble my efforts on StoriesLive, the school based youth education program I designed. My dream is to see the StoriesLive curriculum implemented throughout the country. The change in my relationship to massmouth should give me more time to work towards that goal and a related dream;  seeing storytelling and oral language incorporated as a standard part classroom curriculum from K-8. 

The successes and achievements of massmouth,inc. have been possible through the support of so many people. We honor and celebrate the co-founders, volunteers, and benefactors, the audience members and, most importantly, all who shared their stories. I will be ever grateful and always remember fondly the whole crazy village that was required to "raise" this organization and the art of storytelling in Greater Boston and our Commonwealth. Please join me in acknowledging the generosity of all our host venues, who made space for our events and helped us build a place for storytelling.

Cannot say it enough...Thank you! 
Photos from massmouth 2009 - 2010 - the first season of story slams


And in the moving on department?  Below is what I know about my schedule for the summer of 2015. Here are some dates, a few details and some links: HubBub- June 20th Saturday, 12 noon in Copley Square Norah with Tony Toledo and Andrea Lovett. Save the Harbor/ Save the Bay- Norah, appearing as Mary Read, retired, cross-dressing 18th century pirate, near or, in Boston Harbor, on one of the beautiful islands. 10 -12 performances and workshops from July 2 - September 21st, 2015. READ BOSTON Storymobile: 3 shows per day at various sites around the city of Boston at 10am, 11:15am and 1:15 pm Venues TBA From Tue    July 13 to Thursday August 14th.  1794 Meeting House, July 19th, Sunday at 4 pm New Salem MA -  storytelling with Norah Dooley and friends; Brendyn Schneider and Jannelle Codianni. Phinehas Newton Library, Royalston, MA  July 20th, Monday at 10am in Royalston, MA -  stories from the flora and fauna of Royalston with Norah Dooley  All Star Show at Club Passim - July 20th The massmouth All Star Show features 5 minute long stories by winners from 6 years of story slams in Greater Boston. These All Stars are storytellers who were finalists or winners in Boston story slam finals (The Big Mouthoff) with a cameo by Norah. Norman Rockwell Museum - August 6th, Thursday 5:30pm  Stockbridge MA  features short stories on the themes "like family" and "in a different light". Featured tellers are Ben Cunningham, Tony Toledo and Norah Dooley will also lead a short workshop and open slam, as story slams head west from  Greater Boston. Roast and Toast & other fun! SATURDAY AUG 8th 2015 in Beverly MA •  Write to Tony Toledo for details... Fanueil Hall - starting in June a storytelling series on Tuesdays at 10 am Norah Performs on July 7th, August 11th and October 27th

Wednesday, February 11, 2015

"We believe in the power of storytelling." - LeVar Burton

LeVar Burton at USC
Back in the day, when we had three children ages 5 and under,  Reading Rainbow was our favorite TV show. It was also one of our only TV shows as I had my husband break the set someone gave us so it would only get Channel 2. I was so against TV in my home that it was a major compromise on my part to have that much television.  Our daughter's godmother gave us her old TV so we could watch videos on the VCR someone else gave us. Yes, we were poor back then AND I was even more of a butt pain than I am now. Hard to imagine, I know. 

Turns out that LeVar is signing my song about storytelling. This is great news. He is not a butt pain and I have always been a huge fan of his and the books that he chose for Reading Rainbow are still classics. Burton's ideas are sound and they are a welcome antidote to the wrong-headed thinking of David Coleman, architect of the Common Core, who disdains literature and wants students to read "information based texts". 

 "An oft-repeated assertion of self-proclaimed Common Core architect David Coleman is that non-fiction is where students get information about the world and that's why schools must stop teaching so much fiction. In this assertion, Coleman is echoing the corporate world which he is hired to serve." 

Coleman's attitudes mirror Bill Gates' who also has little use for literature in education.  We need a heavy hitter like LeVar Burton to even up the score.David Coleman said that he believes in emphasizing so-called “informational texts” over literature and have the "the core standards for the first time demand that 50% of the text students encounter in kindergarten through 5th grade is informational text…" But Mr. Coleman was not quite done. He rocked on as he spoke at a New York State  Teacher's convention and added this beauty of a statement:

“[A]s you grow up in this world you realize people really don’t give a s%$* about what you feel or what you think.” - David Coleman

Right on, LeVar Burton ! You will have an uphill battle and are fighting some very well resourced adversaries.  The Ed Reform movement has no place for education or any reforms that empower and enliven students unless they can make a buck off it. But you, LeVar, you will have all of human history, biology, neurology, pedagogy and child development on your side. Oh yeah, and most teachers and all of us storytellers too.




Reposted  from University of Southern California's News
http://news.usc.edu/75332/levar-burton-seeks-to-couple-storytelling-with-education/

LeVar Burton seeks to couple storytelling with education

Former Reading Rainbow host tells USC audience that storytelling is an ‘essential element of the human experience’

by Matthew Kredell
February 11, 2015

LeVar Burton discusses the importance of storytelling for youngsters. (Photo/Tom Queally)
When the iconic PBS program Reading Rainbow started in 1983, America’s children were hanging out in front of the television.
“We wanted them to read more, so we went on TV and steered them back in the direction of the written word,” said LeVar Burton, host and executive producer of the acclaimed program that ran for 23 seasons. “That was revolutionary. The conversation at that time was television was rotting the brains of our children and will be the death knell of education in America, and we were able to prove that wasn’t the case.” Burton explained how he’d like to see storytelling better integrated into education during a recent Holt Distinguished Lecture Series event presented by the USC Price School of Public Policy’s Bedrosian Center on Governance and the Public Enterprise.

Building the brand

After the Peabody and Emmy Award-winning series went off the air, Burton and his business partner acquired the rights to the brand and turned it into the No. 1 educational application.
In 2014, he went to Kickstarter to help revive Reading Rainbow as a Web series, and it became the most popular Kickstarter campaign ever with more than 105,000 backers and a final tally of $6.4 million, well over its $1 million goal.
Children are now reading 200,000 books a week through the RRKidz app. The conclusion he’s drawn from the success of Reading Rainbow, both on television and as an app, revolves around the importance of storytelling to capture a child’s attention.
"We believe in the power of storytelling." - LeVar Burton

“Storytelling, being such an essential element of the human experience, is an invaluable tool in the service of educating our children,” Burton said. “That’s our secret sauce. We believe in the power of storytelling.”
“Having Burton as our Holt speaker was truly an honor,” said USC Bedrosian Director Raphael Bostic, who led the conversation. “His cultivation and development of the Reading Rainbow franchise is both interesting and innovative. His vision, passion and warmth were on full display, providing inspiration for me and our audience.”

From Roots to Rainbow

Burton made his acting debut as Kunta Kinte in the trend-setting 1977 miniseries Roots, while he was a student at the USC School of Dramatic Arts. He also played the role of Geordi La Forge on Star Trek: The Next Generation. 

In addition, Burton won 12 Emmys in his roles on Reading Rainbow.
Where Burton hopes to have an impact on public policy is bringing storytelling into the classroom. He said the Reading Rainbow classroom edition will go through testing over the next couple months with the goal of being ready for the next school year in September. Burton hopes to see new education policy that would require literature and reading become more of an integrated part of all aspects of curriculum.

“Storytelling is a shorthand language that all human beings have in common,” he said. “My belief is that if we are successful in bringing more storytelling into the educational process, we will be more successful at educating our children.”

Monday, August 18, 2014

"Never Done"

A friendly reminder that "Never Done" - stories of women's work is tonight at Club Passim. AUG 18th at 7pm. Some fabulous performers are joining me to create a great show and raise some do-re-mi for massmouth

http://massmouth.org/2014/08/never-done-stories-about-women-at-work/ “Never Done”- Real stories from women at work in the world. We lean in, lean out, bend over, fall down and get back up. Come listen to a collection of stories about women’s work that are as varied as the women who tell them. Aug 18th at 7pm in a fund raiser for massmouth featuring cofounder Norah Dooley and friends: Devin Bramhall, Cheryl Hamilton, Cindy Pierce, Sue Schmidt, and Carolyn Stearns, at legendary Club Passim. The 1st Person Plural series is hosted by our honorary sister and stay-at-home dad, HR Britton.

Teaching artist:Young Audiences
Storyteller/producer
In this special edition of 1st person Plural the stories are longer and there is no distracting competition. Lean back or lean in, your choice; just come and listen. Doors at 6:30 show at 7PM TIX are $15 at the door $12 online: http://passim.org/club/1st-person-plural-0. Students/ seniors: $7 at the door only  A bit of back story about our Performers:Cindy Pierce is an innkeeper, storyteller and mother of three. Sue Schmidt is a therapist, drummer and mother of two. Carolyn Stearns is a full-time storyteller and lives on a family dairy farm and is a mother of four. Cheryl Hamilton works in Refugee Protection Devin Bramhall is a social media marketer and manager, HR Britton is an actor, storyteller, producer, educator and stay-at-home dad. Feature Norah Dooley is a storyteller, gadfly,educator and mother of four.Here is a teaser from my (Norah's) story: One Woman's Search for Right Livelihood:
Right Livelihood is a way of making a living that does no harm to others.
My first real job was working as a counter waitress at Brigham's Ice Cream Shop - making cones and sundaes while eating as much product as I could without getting fired. I got the job after my mother gave me a stinging wake up call. I was miserable, had just had my little toe broken by some hellions I had been baby sitting when she came to walk me home. She looked my me deeply in the eye - "You don't like taking care of children, do you?" She sounded a little surprised or bemused. If I was honest I say I didn't. I'd say simple the truth had wanted a job and some money. And I liked kids who liked me. But these kids were so tough and I liked kids. Their mom, a nurse working her doctor husband's way through a medical residency, was desperate so the pay was better than average.
Right Livelihood is, also, a way to earn a living without compromising the Precepts.
A few of which state:
No killing
No stealing
No misusing sex
We built a house, a barn and a shed
But I hated the babysitting job. And hated myself for hating it. That day, the kids broke my toe by slamming the bathroom door on it and locking themselves in after I had jerked my foot out. As they screeched with laughter and I hopped in pain, I was feeling quite out of alignment with the Precepts of the Buddha. In fact I was in a sputtering homicidal and ultimately powerless rage. "No killing?" Really. Clearly the freakin' Buddha had never babysat.
When my mother had asked me I exploded a, "Yes" that even surprised me. Then my mother said ,"No one who hates taking care of kids should ever be alone doing that work." Yeah. She knew what she was talking about. Skipping over the deep irony here, I quit babysitting; watching children for pay and never looked back. Until I had my own children....
To learn  more about Right Livelihood  Tickets at the Door are $15 http://passim.org/club/1st-person-plural-0.
Students/ seniors: $7 at the door only.




Organic farming Apprentice - Bittersweet Farm

Gadfly, Boston Public Library, 2010.



Sunday, June 22, 2014

What I have been doing since January...

As soon as I got back from Japan in January, several things completely occupied my time, until now. Teaching at Lesley U, helping to organize a union there  (successfully!) and coordinating  StoriesLive® -IV consumed nearly all my waking hours. We were able to reach another 1,000 high school students thanks to support from the MCC, Friends of CRLS grant and generous donations of time and money from massmouth,inc. storyteller/educators. Here is a great article by  Melissa McKeon, from the Worcester Telegram about our work at  South High Community High Schools where 100s of students studied with us and several SCHS students won  scholarships at our Regional High School Slam.  - Norah Dooley

South High students win scholarships at Hub storytelling match

by Melissa McKeon CORRESPONDENT May 16th 2014
WORCESTER — South High Community School Principal Maureen Binienda's students have been telling stories.

In fact, three of her students are noted for their storytelling.
And Ms. Binienda couldn't be happier.  Tenth-grader Manasseh Konadu, William Lam and David Judkins and seven other South students told their stories on April 26 at the Boston Public Library as part of an annual high school storytelling slam by Massmouth's StoriesLive. The three were awarded scholarships for their efforts in South's initial appearance at the event.
South High Community School student David Judkins, who won the
Audience Choice Award at Massmouth's storytelling competition in
Boston, runs through his performance for his English class. Behind him is
10th-grade English teacher Pascalia Mattioli, ((JOHN FERRARONE))

It's part of Massmouth's effort to reinforce that the art of storytelling is alive and well and valuable. The program, the brainchild of Massmouth founder Norah Dooley, is curriculum-based. Teacher-artist-storytellers go to local schools to teach storytelling and end up teaching far more, it seems. StoriesLive representatives coach students through the first phase, when all students participate. They write down the outline of their stories and then tell and refine them.

It's a lesson in everything an English teacher would like to see students learn. And, in fact, it's part of what they are mandated to learn by the state's Core Curriculum guidelines, which include a public speaking requirement.

"This is a fun way to meet a Common Core requirement," says 12th-grade English teacher Joe McKay.

The success of the stories at the class level, where everyone must participate, is easy to measure: "They applaud (each other's stories) or they don't applaud," Mr. McKay said. "They let you know." The students get to refine the story for a schoolwide "slam," with voluntary participation, at which the success of the stories is once again measured by the students' reactions. Next, those students go to the regional slam in Boston, where, this year, three South students distinguished themselves by earning scholarship money from StoriesLive.

The money can be used for the purchase of a laptop or iPad/tablet, memberships online, educational accounts, college application fees, college visits, tuition for any school and even driver's education or travel.

To date, the program has given out more than $17,000 in scholarship awards to more than 6,000 high school students from 15 Massachusetts high schools.

And while the program is certainly a unique — and clearly successful — way to teach public speaking, the preparation of the story teaches another key literature and writing lesson: creating a plot that works.

"It turned out to be a great learning strategy," Mr. McKay said.

Once students moved from creating the outline of their story to telling it, the progress in learning the lessons English teachers try to reinforce was swift. "That's where you see the proof in the pudding," Mr. McKay said. "It becomes almost intuitive."

Learning those core skills through storytelling with StoriesLive was, Mr. McKay said, far more successful than the usual classroom experience.

"It's not like they're being pressured by some cranky old teacher like me," he joked.

The deeper lessons are clear, as well.

"It seems like in this day and age everyone has something electronic, no one's having conversations anymore. It's like a lost art," Ms. Binienda said. "But storytelling has existed for centuries. Oral tradition is how people learned about their culture."

For the students at South, Ms. Binienda finds it particularly important.

"We are the third most diverse high school in the state," she said.

That means the connections between these students from many different backgrounds can be tenuous, until they hear each other's stories.

The experience of hearing everything from where they're from to the first time they experienced something new to learning the hard way at once illuminates a new culture and breaks down the barriers between them.

"Kids' experiences are kids' experiences, the whole world over," Mr. McKay said. "You're not all that different."

The deeper lessons are clear, as well.

"It seems like in this day and age everyone has something electronic, no one's having conversations anymore. It's like a lost art," Ms. Binienda said. "But storytelling has existed for centuries. Oral tradition is how people learned about their culture."

For the students at South, Ms. Binienda finds it particularly important.

"We are the third most diverse high school in the state," she said.

That means the connections between these students from many different backgrounds can be tenuous, until they hear each other's stories.

The experience of hearing everything from where they're from to the first time they experienced something new to learning the hard way at once illuminates a new culture and breaks down the barriers between them.

"Kids' experiences are kids' experiences, the whole world over," Mr. McKay said. "You're not all that different." In addition to claiming that connection with their peers, they also claim something simple, yet profound, themselves.

"Being able to tell your story is important," Ms. Binienda said.

At the final slam on a Saturday during April vacation, 10 South students and their chaperones learned not only the excitement of telling their stories among their peers from schools all over the state, but also had the simple fun of what was, for many, the new experience that field trips provide. They took the train to Boston to participate in the final slam at Boston Public Library.

Mr. Konadu won first place (a $500 scholarship); close behind him was classmate Mr. Lam, who won a $250 scholarship. Their fellow South student Mr. Judkins won an Audience Choice $150 award.

For more information, visit www.massmouth.com and its Facebook page, www.facebook.com/highschoolstories.

Thursday, April 3, 2014

Storytelling: at Tufts ExCollege FALL 2013

 First in a series of unpublished blog posts from this insanely busy past few months...

An open letter to my Tufts ExCollege Students:

Thank you, all. Last night was an absolutely fabulous final-project-end-of-term, slam. I can honestly say it was the best ever, being the first. Levity aside, and despite interruptions from my overreaching desire to document, facilitate and generally futz around with technology, your slam was every bit as amazing as you may have felt it.

Didn't everyone bring their A game? Were we regaled with hilarity and depth, personal growth and deep insight? Yes. From the very first story, (which set a high bar) to the very last, we experienced real life, beautifully crafted into narrative. Through each story the art of storytelling shone.

Before I get even more cringe-worthy gushy, I am posting a few sloppily snapped photos which do not do the performers or performances justice. Then, I am getting to work on my critique of your performances, collating all your comments and finding a way to get them to you and creating grades for you all. Once that is set I will be editing the audio podcast and video clips and posting same. It may take me a while so when you are in the throes of finals look for an email with links to this amazing night of stories to buoy your spirits. Again, thank you all for working to bring such great stories and making my "first time" teaching a college level storytelling course truly rewarding.




Thursday, September 27, 2012

Storytelling: Woolgathering1.4 - Play With it!


Storytelling: Woolgathering 1.4 - Play With it!


When you listen to a storyteller, you are helping create the story while you listen. After you hear a story it is yours. To play with…to learn from…to imagine with. Here are a few ideas that I share with the students who listen and create stories with me at Read Boston.

Playing is a powerful way to learn. And it is now scientifically proven to be important to our health and well being. From the TEDx site "Dr. Stuart Brown came to research play through research on murderers -- unlikely as that seems -- after he found a stunning common thread in killers' stories: lack of play in childhood. Since then, he's interviewed thousands of people to catalog their relationships with play, noting a strong correlation between success and playful activity. His book  Play  describes the positive impact play can have on one's life." Dr. Brown says that play and story are closely related. "Three dimensional play lights up the cerebellum"

So when your are having fun with your own version of a story you heard, you are creating and bein as you mix up what you heard with your own rich imagination. 


Exercises: Woolgathering 1.4 - Play With it!



1. Imagine a new ending.
A story with a completely or even slightly new ending is, a different story. It is fun to think of different ways the same things could end or different things the same events could lead to. It is like yoga for the mind. It stretches your thinking and strengthens your problem solving ability.

2. Draw some pictures.
What’s is your picture of the main characters in the story ? Make masks of your favorite characters. Or each one can draw a favorite part of the story. Put these all together and arrange in order, from beginning to end. Add any parts that were missing. Show these as a story line or tape drawings together to make a kind of story “quilt .

3. Tell the story through action.
Instead of telling the story with words see if you can tell it with your gesture, your posture and your facial expressions. 

4. Pretend.
Pick a character from the story that interests you.  Then speak, act, walk and breathe like that character for the rest of the day.

5. Post your idea in the comments below:

Saturday, September 15, 2012

What is a traditional story?

What is a traditional story?
by Norah Dooley and wiki 



The author telling traditional tales to children in South Boston through the literacy program, Read Boston, 2012

Since we announced our Folk and Fairy Tale Slams, all sorts of people I thought would know,  have been asking me, "Huh? What is a traditional story?" In the article below I have tortured and twisted a wikipedia article into illustrating a Miller Analogy Test type statement. My main intent was to explore and hopefully explain the difference between traditional storytelling and contemporary 1st person narrative in performance. Secondly, I hoped to save time by lifting lots of the material for my explanation. This process is sometimes called slapdash, and when less transparent, also known as plagiarism or "lack of artistic integrity" and will be covered in another post. Just as soon as I find an essay on that topic from which I may quote... But I digress. 

The statement I am working with is: traditional stories are to contemporary 1st person narrative stories as traditional folk songs are to singer-songwriter's songs. Imagine an acoustic performance of Arrow, by Cheryl Wheeler next to a performance by Simon And Garfunkel "Scarborough Fair"  or any other traditional ballad of Great Britain.  

The song Arrow is a beautiful contemporary love song, with melody and lyrics composed by Cheryl. Scarborough Fair is a song in the public domain; melody by Anonymous ( not the hackers but in the late 16th century sense via late Latin from Greek anōnumos ‘nameless’ ) and words by Anonymous. In the article below I have substituted "story" or storytelling for every citation of song or music. There are way more interesting things to know about folk tales but this will have to do as a start.
Odetta was a folk singer of the late 20th century revival. She left a career in opera & musical theater to sing folk songs.
From a historical perspective, traditional folk music storytelling had these characteristics:
  • It was transmitted through an oral tradition. Before the twentieth century, most people, especially ordinary farm workers and factory workers were illiterate. They acquired songs stories by listening and memorizing them. Primarily, this was not mediated by books, recorded or transmitted media. Contemporary yet traditional  Singers  storytellers  extend their repertoire using broadsheets, song story books or CDs, but these secondary enhancements are of the same character as the primary songs stories experienced in the flesh.
  • The music  Storytelling was often related to national culture. It was culturally particular; from a particular region or culture. In the context of an immigrant group, folk music storytelling acquires an extra dimension for social cohesion. It is particularly conspicuous in the United States, where immigrants and  oppressed minorities strive to emphasize their differences from the mainstream. They may learn songs stories  that originate in the countries their grandparents came from.
  • Stories They may commemorate historical and/or personal events. On certain days particular songs stories celebrate the yearly cycle. Weddings, birthdays and funerals may also be noted with  songs stories...Religions and  religious festivals traditions often have a folk music storytelling component especially a set of teaching stories. Choral music Stories at communal events bring children and non-professional storytellers to participate in a public arena, giving an emotional bonding that is unrelated to the aesthetic qualities of the music performance.
  • The songs stories have been performed, by custom, over a long period of time, usually several generations.
As a side-effect, the following characteristics are sometimes present:
  • There is no copyright on folk songs. stories. Hundreds of folk songs tales from the nineteenth century have known authors but have continued in oral tradition to the point where they are considered traditional for purposes of music publishing. This has become much less frequent since the 1940s. Today, almost every folk song tale that is recorded or written is credited with an arranger author.
  • Fusion of cultures: In the same way that people can have a mixed background, with parents originating in different continents, so too music storytelling can be a blend of influences. A particular rhythmic speech pattern, or a characteristic instrument, cultural detail or element is enough to give a traditional feel to music, stories even when they have been composed recently. The young are usually much less offended by the dilution or adaptation of songs stories this way. Equally a electric guitar digital element can be added to an old songs story creating a new genre for the art form of storytelling.
  • Traditional storytelling is non-commercial.
Please let me know in the comments below if this makes sense to anyone else but me? All the words in bold italic have been added by the blogger.