Showing posts with label Norah Dooley. Show all posts
Showing posts with label Norah Dooley. Show all posts

Thursday, July 30, 2015

Magical moments: serendipity-sfx and storytelling

Magical moments: serendipity-sfx and storytelling

By Norah Dooley

The tent outside Boston Children's Museum was shady and cool and a small breeze blew through on the 90 degree Tuesday in July. The tent is beyond the Milk Bottle and just past the entrance to the Museum.  It is a lovely spot and across Fort Point Channel one can see and easily reference the Boston Tea Party Museum ship as the kind of ship pirates sailed on. You also can see visitors learn about some per-Revolutionary rabble rousing and drop reusable boxes of "tea" over the sides, on the hour.

"The passengers saw a long boat leave the pirate ship and quickly close the distance between the ships. "
Appearing as Mary Read, an 18th century, English born, cross-dressing, woman pirate,  I was at the Children's Museum to represent Save The Harbor/ Save the Bay and tell stories about our beautiful harbor, the sea and the Golden Age of Piracy. At one point during my two hour stint, I told the story of Ocean Born Mary.  Below is an excerpt and here link to a full version of the story that is similar to the one I tell.

 Ocean-Born Mary A Classic Tale of haunted New England

    The year was 1720 and the place was Londonderry, Ireland. A small sailing vessel called “Wolf” departed from the port, bound for the New World. Here, weary passengers and immigrants would have the chance to reunite with relatives from another Londonderry, this one in New Hampshire. But fate was not kind to this travelers, for as they neared the harbor of Boston in Massachusetts Bay, on July 18th, 1720, the ship was overtaken by a band of Spanish pirates. They scrambled aboard the vessel, seized jewelry, clothing and valuables and then, at the command of their captain, a buccaneer named Don Pedro, they prepared to murder everyone on board. Just as the pirates raised cutlass and pistol, Don Pedro ordered his men to stand down.
Beyond the terrified screams of the passengers, he heard another sound... the unmistakable wail of a baby. Below decks, Elizabeth Wilson lay abed, holding a tiny baby in her arms. The child has been born the day before.  Don Pedro found her and looked down into the face of the infant and sheathed his sword. He said he would save the Wolf and all on it if they would name the child Mary after his mother. Elizabeth agreed. And Dom Pedro took a cup of water and baptized her right there. Then he strode above deck.

"Stand down and harm not a hair on any head." Dom Pedro roared at his crew. " "Stand down  Save your shot. Sheathe your swords. To the boats! " He ordered his men off the Wolf and back to their ship. They left and all on the Wolf breathed again and pulled themselves together, glad to be alive.  But all too soon there was a cry ," They are coming back! " The passengers saw a long boat leaving the pirate ship and as the oars flashed it quickly closed the distance between the ships.  Don Pedro appeared on deck again, this time with a large package that he gave to Captain Wilson, "Mary's" Father.  Unwrapped it  revealed a bolt of beautiful, sea-green, silver threaded,  brocaded silk. "For her wedding dress!" he said and turned on his heel and left...
As I came to the moment in the story where the pirates return, I pointed across Fort Point Channel and... a long boat magically appeared! You can't make this stuff up. Coming from the Boston Tea Party Ship, with oars flashing in the bright noon sunlight, I found I was pointing at and narrating the movements of an actual long boat heading straight for our side of the channel. It was an exact replica of the picture in my head. This sure made it easy to explain to my young audience what a long boat was. In my 25 years of storytelling, it was the best serendipity-sfx I have ever experienced.

Storytellers and performers! I wonder what serendipity-sfx you have experienced during live performance ? Doorbells, thunder, loud knocking or a cry in the distance? Please feel free to share some in the comments below.

Monday, July 27, 2015

10 Favorite Riddles

 Norah performs at Boston Common for ReadBoston.org  July 23,2015
(Today I will be performing as Mary Read in an extra set of performances at the Boston Children's Museum  from 11:30am - 1:30AM in a show called Pirate Storytime sponsored by SavetheHarbor.org ) This summer, whether performing for ReadBoston.org Storymobile or Save the Harbor/Save the Bay, I love to use riddles to get people of all ages thinking. As Mary Read,  aka, Mark Read, a retired pirate from the last days of the Golden Age of Piracy, I emphasize that common sense and quick thinking were a pirates most important "weapons"  The connection between spoken word and literacy is strengthened through storytelling and word games like riddles. ReadBoston's Storymobile is a unique project that honors the spoken to written word connection every summer with an amazing program that brings professional storytellers to nearly 80 sites all over the city of Boston. The storytellers perform and then Read Boston gives out a free book to every participant. Recently, storytellers Andrea Lovett and Nicolette Heavey have brought a similar program to Brockton, Andover and Lawrence and other cities in the Commonwealth. Read more about their endeavor here:  https://www.facebook.com/StoriesInTheStreets.

As for Riddles?  Here are 10+ one of my favorites. And the answers to: Pirates: True or False

1.    What is greater than God, More evil than the devil?  The poor have it, The rich don’t need it, And if you eat it, you’ll die?

2.    What must I give you so I may keep it?

3.    What do I break every time I say it?

4.    Who makes it, has no need of it. Who buys it, has no use for it.  Who uses it neither sees nor feels it.  What is it?

5.    If you have me, you want to share me. If you share me, you haven't got me. What am I?

6.    Always coming but never here?

7.    Forward I am heavy, but backward I am not. What am I?

8.    What gets wetter and wetter the more it dries?

9.    Which creature walks on four legs in the morning, two legs in the afternoon, and three legs in the evening?

10.    What occurs once in every minute, twice in every moment, yet never in a thousand years?

11.    Three big men under a tiny umbrella yet no one gets wet, why?


Give up?  Not yet! Come on. Think some more. Ask a friend. Try harder! And then check your answers below.


The answers are in Spanish. Se habla espanol ? ¡Bueno !  Otherwise? You will need to find a bi-lingual friend or Google translate to decode.

1. Nada


2. Mi Promesa


3. Silencio


4. Un ataúd


5. Un secreto


6. Mañana


7. Ton (No)


8. Una toalla


9. Un humana


10. "M"


11. No está lloviendo.

Answers to the T F Pirate quiz ( see handouts at live shows) :

T √ 1.The name “Jolly Roger” may have come from jolie rouge –French for “pretty red”
T √ 2.Pirating was not for sissies.
T √ 3.Buccaneers were pirates who lived on meat from cattle and pigs in the areas of Haiti and the Dominican Republic. Their name comes from the French word for outdoor roast or barbecue. Their name comes from French cooking frames used by hunters in France to smoke and preserve meat, "la boucane"
F √ 4. Pirates were more likely to smoke out foes below decks using stink pots rather than fight it out down below. If they needed to go down below they probably covered their eyes for a minute or two (if the situation permitted it) and then headed below. They would not wear eye patches. This is the same method soldiers use today (if they lack night vision equipment).
F √ 5. There are no historical cases of people being made to walk the plank. Pirates marooned,shoved overboard or hacked their enemies to death. Not very nice folk, really.
F √ 6.Pirates didn't have much gold or silver to bury and most pirates had a 1 - 3 year "career". Very few saved for a rainy day or retirement. And “booty” was often food stuff, gunpowder and other supplies. The idea of a buried treasure was made popular by "Treasure Island".
T √ 7. Ooo la la! and “Ho ho ho and a bottle of rum!” In 1655 when the British fleet captured the island of Jamaica the British Navy changed the daily ration of liquor given to seamen from French brandy to rum. The practice of watering down the rum began around 1740 a mixture which became known as grog.

F √ 8.When pirates were caught, they were brought to trial and sentenced to death by hanging and hanging was referred to as “dancing the hempen jig”
T √ 9.Bless their merry souls, pirates had such cute names for things.
T √10.Piracy is a big problem in the Pacific and Indian Oceans and particularly along the coast of Somalia. Modern day piracy accounts for $13-$16 billion dollars in losses annually.
T √ 11.Shi Xainggu (better known as Cheng I Sao) was active between 1801-1810 in the South China Sea. She commanded five to six squadrons of 800 large junks, about 1,000 smaller vessels, and between 70,000 and 80,000 men and women.
T √ 12.Clever and new agey before their time pirates may have known that the ear lobe is an acupuncture point for several eye conditions. It is quite possible that the practice of ear piercing was brought to the west from the eastern trade routes.

Tuesday, July 7, 2015

Norah Dooley, storyteller • Summer Schedule 2015

This summer appearing at various Boston Harbor beaches Photo: by Joe Prezioso Courtesy of Save the Harbor/Save the Bay
Summer time is usually a busy for me. Even more so this year. Not only am I transitioning out of the executive director role at massmouth.org  [See more here ]I am also really busy teaching [See more here] and performing for families and children. I am very grateful for the artistic challenges and the paying work. The summer started with a solstice performance for families at HubBub, an offshoot of the Boston Book Festival. It was a gorgeous day in Copley Sq. and fun to perform with Tony and Andrea.
with Tony Toledo and Andrea Lovett at HubBub on June 20th 2015
HubBub- June 20th Saturday, 12 noon in Copley Square Norah with Tony Toledo and Andrea Lovett.
Save the Harbor/ Save the Bay- I am, appearing as Mary Read, retired, cross-dressing 18th century pirate, near or, in Boston Harbor, or one of the beautiful islands. 10 -12 performances and workshops from July 2 - September 21st, 2015. Some details are:  July 25th- Hull Harbor Illumination - possible appearance
August 2nd- Boston Seafood Festival at the Fish Pier 10:30am-5:00pm August 8th- Family Fun Day at Tenean Beach in Dorchester from 9am-11am August 14th- STH Youth Beach Bash and Splash from 10am-2pm AUGUST 22 Saturday at 1pm • Princess and Pirate Parade at Winthrop Beach. Details TBA  Town Manager’s Blog or  Facebook August 29th- Dorchester Beach Festival from 12pm-8pm - my performance time TBA

READ BOSTON Storymobile: A rocking literacy program in the City of Boston. Each storyteller has 3 shows per day at various sites around the city of Boston at 10am, 11:15am and 1:15pm.  Listed below are a few readily accessed public sites and at the 11am show unless otherwise noted. See below and more info at Read Boston site.
  • Mon   July 13 - Mattapan Library, 1350 Blue Hill Ave, Mattapan
  • Tue    July 14 - Roxbury YMCA, 285 MLK Boulevard, Dorchester
  • Tue    July 21 - Tierney Learning Center, 125 Mercer Street, South Boston
  • Wed   July 22 - Kroc Center, 650 Dudley Street, Dorchester
  • Thursday July 23 10AM TADPole Playground at the Boston Common, Boston
  • Fri     July 24- 10AM Children's Quarters, 36 1st Ave,  and Charlestown Library, 179Main Street, Charlestown
  • Mon  July 27 -  Salvation Army Learning Center, Dorchester
  • Wed  July 29-  Billings Field, Centre Street and LaGrange Street, West Roxbury
  • Fri     July 31- Boston Nature Center, 500 Walk Hill Street, Mattapan
  • Mon    August 3- 10AM Copley Library, 700 Boylston Street, Boston Back Bay and 1:15pm Salvation Army 1500 Washington Street Library,  South End
  • Wed    August 5 - Grove Hall Library, 41 Geneva Avenue, Dorchester
  • Mon   August 10 - United South End Settlements, 48 Rutland Street, South End
  • Wed   August 12 - 10AM Lower Mills Library, 27 Richmond Street, Dorchester
  • Thurs August 13 - Connolly Library, 433 Centre Street, Jamaica Plain
1794 Meeting House, July 19th, Sunday at 4 pm New Salem MA -  storytelling with Norah Dooley and friends; Brendyn Schneider and Jannelle Codianni.
Phinehas Newton Library, Royalston, MA  July 20th, Monday at 10am in Royalston, MA -  stories from the flora and fauna of Royalston with Norah Dooley
All Star Show at Club Passim - July 20th The massmouth All Star Show features 5 minute long stories by winners from 6 years of story slams in Greater Boston. These All Stars are storytellers who were finalists or winners in Boston story slam finals (The Big Mouthoff) with a cameo by Norah.

Norman Rockwell Museum - August 6th, Thursday 5:30pm  Stockbridge MA  features short stories on the themes "like family" and "in a different light". Featured tellers are Ben Cunningham, Tony Toledo and Norah Dooley will also lead a short workshop and open slam, as story slams head west from  Greater Boston. 

Roast and Toast & other fun! SATURDAY AUG 8th 2015 in Beverly MA •  Write to Tony Toledo for details... Fanueil Hall - starting in June a storytelling series on Tuesdays at 10 am I am performing on July 7th, August 11th and October 27th.

Friday, July 3, 2015

Don't Cry For Me...

Don't Cry For Me

Storytellers... the truth is, I'll never leave you.

Madonna as Evita Peron.
Don't cry for me Argentina ( storytelling), The truth is I never left you
All through my wild days, My mad existence
I kept my promise, Don't keep your distance...
I had to let it happen, I had to change, Couldn't stay all my life down at heel, Looking out of the window, Staying out of the sun...
- Evita  Andrew Lloyd Webber,  lyrics by Tim Rice

Not to get too dramatical but, hey... if I don't self-dramatize, who will? It is kinda a like brushing your teeth, right? It is hard for someone else to do it for you. 

Anywho, this July,  I will be resigning as ED of massmouth,inc.  My "new" job is really my old job as a professional freelance storyteller and educator. Plus office work in my husband's company. After we do some necessary fundraising and settle the nonprofit books and reports to finish out another season/ fiscal year I will  pass along the massmouth baton/brand to a small cadre of storytellers. They are H.R. Britton, Dan Dahari, Cheryl Hamilton, and Theresa Okokon. Come to the All Star Show at Club Passim where we will announce details. If you cannot make the show the news will be posted in a newsletter, twitter, FB and massmouth.blogspot.com.  

As we work on the transition, the world still turns, irregardless, as we liked to say in NY.  And I still need to work. By mid-August, I hope to be more free to be the active freelance artist, performer and educator I was before massmouth,inc. 

To be clear, I am not retiring and will continue to direct the StoriesLive® program and create events, programs and projects that promote the art of storytelling. Basically I will continue to do the work I love, the work I am good at and work people are happy to pay me for.  

So many people were so kind for years and I thank them all for their support and generous donations of time and money to the massmouth project. Thanks to all of you, we have raised up storytelling in Greater Boston and throughout the Commonwealth - which was our mission. We truly shared our common wealth of story and we did "... promote the timeless art of storytelling in the 21st century." 

Drama is fine but gratitude is truly called for. I have been privileged to be able to do this work because of the contributions and sacrifices of others.  Here is what I posted in my "official" letter to the massmouth,inc. lists this past week:

Thank you! It has been a pleasure and honor to play an integral role in the revitalization of storytelling in Greater Boston through my position as co-founder and executive director of massmouth,inc.

After so many story slams, events, and workshops, my head and heart are full of stories and it has been a source of deep joy and inspiration. Yet, after six years of full time commitment, I am stepping down from my position as unpaid executive director.

Fortunately, I am able to leave the day-to-day running of this organization in the hands of a small cadre of dedicated storytellers, including H.R. Britton, Dan Dahari, Cheryl Hamilton, and Theresa Okokon. The team is eager to see massmouth continue and we are currently working together to redistribute the behind-the-scenes operations of the organization. Knowing these individuals well and their deep commitment to advancing the art of storytelling, I believe massmouth is poised for future success. 

The new officers ask for your patience during this transition. They look forward to sharing next steps in the near future. At this date we can confirm that there will be a Season VII Slam series beginning as always in Sept/Oct, 2015 at Club Passim in Cambridge and Trident Book Store in Boston. Additional venues are also being considered. To extend your support or ask questions, email info@massmouth.com.

Meanwhile, I am excited to refocus my time and energy on remunerative freelance storytelling, teaching, recording and writing. [See more here]. I intend to redouble my efforts on StoriesLive, the school based youth education program I designed. My dream is to see the StoriesLive curriculum implemented throughout the country. The change in my relationship to massmouth should give me more time to work towards that goal and a related dream;  seeing storytelling and oral language incorporated as a standard part classroom curriculum from K-8. 

The successes and achievements of massmouth,inc. have been possible through the support of so many people. We honor and celebrate the co-founders, volunteers, and benefactors, the audience members and, most importantly, all who shared their stories. I will be ever grateful and always remember fondly the whole crazy village that was required to "raise" this organization and the art of storytelling in Greater Boston and our Commonwealth. Please join me in acknowledging the generosity of all our host venues, who made space for our events and helped us build a place for storytelling.

Cannot say it enough...Thank you! 
Photos from massmouth 2009 - 2010 - the first season of story slams


And in the moving on department?  Below is what I know about my schedule for the summer of 2015. Here are some dates, a few details and some links: HubBub- June 20th Saturday, 12 noon in Copley Square Norah with Tony Toledo and Andrea Lovett. Save the Harbor/ Save the Bay- Norah, appearing as Mary Read, retired, cross-dressing 18th century pirate, near or, in Boston Harbor, on one of the beautiful islands. 10 -12 performances and workshops from July 2 - September 21st, 2015. READ BOSTON Storymobile: 3 shows per day at various sites around the city of Boston at 10am, 11:15am and 1:15 pm Venues TBA From Tue    July 13 to Thursday August 14th.  1794 Meeting House, July 19th, Sunday at 4 pm New Salem MA -  storytelling with Norah Dooley and friends; Brendyn Schneider and Jannelle Codianni. Phinehas Newton Library, Royalston, MA  July 20th, Monday at 10am in Royalston, MA -  stories from the flora and fauna of Royalston with Norah Dooley  All Star Show at Club Passim - July 20th The massmouth All Star Show features 5 minute long stories by winners from 6 years of story slams in Greater Boston. These All Stars are storytellers who were finalists or winners in Boston story slam finals (The Big Mouthoff) with a cameo by Norah. Norman Rockwell Museum - August 6th, Thursday 5:30pm  Stockbridge MA  features short stories on the themes "like family" and "in a different light". Featured tellers are Ben Cunningham, Tony Toledo and Norah Dooley will also lead a short workshop and open slam, as story slams head west from  Greater Boston. Roast and Toast & other fun! SATURDAY AUG 8th 2015 in Beverly MA •  Write to Tony Toledo for details... Fanueil Hall - starting in June a storytelling series on Tuesdays at 10 am Norah Performs on July 7th, August 11th and October 27th

Monday, August 18, 2014

"Never Done"

A friendly reminder that "Never Done" - stories of women's work is tonight at Club Passim. AUG 18th at 7pm. Some fabulous performers are joining me to create a great show and raise some do-re-mi for massmouth

http://massmouth.org/2014/08/never-done-stories-about-women-at-work/ “Never Done”- Real stories from women at work in the world. We lean in, lean out, bend over, fall down and get back up. Come listen to a collection of stories about women’s work that are as varied as the women who tell them. Aug 18th at 7pm in a fund raiser for massmouth featuring cofounder Norah Dooley and friends: Devin Bramhall, Cheryl Hamilton, Cindy Pierce, Sue Schmidt, and Carolyn Stearns, at legendary Club Passim. The 1st Person Plural series is hosted by our honorary sister and stay-at-home dad, HR Britton.

Teaching artist:Young Audiences
Storyteller/producer
In this special edition of 1st person Plural the stories are longer and there is no distracting competition. Lean back or lean in, your choice; just come and listen. Doors at 6:30 show at 7PM TIX are $15 at the door $12 online: http://passim.org/club/1st-person-plural-0. Students/ seniors: $7 at the door only  A bit of back story about our Performers:Cindy Pierce is an innkeeper, storyteller and mother of three. Sue Schmidt is a therapist, drummer and mother of two. Carolyn Stearns is a full-time storyteller and lives on a family dairy farm and is a mother of four. Cheryl Hamilton works in Refugee Protection Devin Bramhall is a social media marketer and manager, HR Britton is an actor, storyteller, producer, educator and stay-at-home dad. Feature Norah Dooley is a storyteller, gadfly,educator and mother of four.Here is a teaser from my (Norah's) story: One Woman's Search for Right Livelihood:
Right Livelihood is a way of making a living that does no harm to others.
My first real job was working as a counter waitress at Brigham's Ice Cream Shop - making cones and sundaes while eating as much product as I could without getting fired. I got the job after my mother gave me a stinging wake up call. I was miserable, had just had my little toe broken by some hellions I had been baby sitting when she came to walk me home. She looked my me deeply in the eye - "You don't like taking care of children, do you?" She sounded a little surprised or bemused. If I was honest I say I didn't. I'd say simple the truth had wanted a job and some money. And I liked kids who liked me. But these kids were so tough and I liked kids. Their mom, a nurse working her doctor husband's way through a medical residency, was desperate so the pay was better than average.
Right Livelihood is, also, a way to earn a living without compromising the Precepts.
A few of which state:
No killing
No stealing
No misusing sex
We built a house, a barn and a shed
But I hated the babysitting job. And hated myself for hating it. That day, the kids broke my toe by slamming the bathroom door on it and locking themselves in after I had jerked my foot out. As they screeched with laughter and I hopped in pain, I was feeling quite out of alignment with the Precepts of the Buddha. In fact I was in a sputtering homicidal and ultimately powerless rage. "No killing?" Really. Clearly the freakin' Buddha had never babysat.
When my mother had asked me I exploded a, "Yes" that even surprised me. Then my mother said ,"No one who hates taking care of kids should ever be alone doing that work." Yeah. She knew what she was talking about. Skipping over the deep irony here, I quit babysitting; watching children for pay and never looked back. Until I had my own children....
To learn  more about Right Livelihood  Tickets at the Door are $15 http://passim.org/club/1st-person-plural-0.
Students/ seniors: $7 at the door only.




Organic farming Apprentice - Bittersweet Farm

Gadfly, Boston Public Library, 2010.



Sunday, July 21, 2013

Chalking it up to age and...

Chalking it up to age and... love of our civil rights.

Sira meets Julia, 1984
It could all just be chalked up to my age, a love of democracy and an infatuation with civil rights. Our constitutional  rights exist to make our lives, culture and neighborhoods, civil. Gotta love that!  Yet, it was more.  I felt compelled to do my crazy and ill-timed ( for my  schedule) project for many reasons. One was to mark many decades of trying to find an effective way to be an artist and add something to the ongoing struggle for human dignity, justice and peace. Another reason was purely sentimental. My first ever Arts Grant was a teaching project in 1984, where I took a group of kids out on the sidewalks of Central Square Cambridge and taught them some drawing basics as we moved through the neighborhood, creating art in unexpected places. At some point during the 4 week project, WGBH covered our proceedings and the clip of us working in early July, 1984 was aired (or repeated?) on September 8th. This also was the day our 2nd daughter, Julia was born. A maternity ward nurse recognized me and said, "Who would have thought you'd be out drawing on the sidewalk and having a baby the same day?" I was confused but she explained and we sorted it out. Back in the day, we did not have a TV and I was too busy before and right after Julia was born to be able to track down and see that video.

4:15 am Jul 18, 2013
Through the years I have marked my birthday by asking my family to cut me some slack and take care of business so I would have the time to do something nutty like chalk drawing from dawn to dusk. I find the process of chalk drawing delightfully ephemeral, completely impracticable, a bit challenging and totally enjoyable. I am not even very good at  it at this point - so woefully out of shape am I. Not only is squatting difficult but I have not been drawing regularly for over 8 years. When you were never very gifted to begin with (like me) you'll find that your rendering chops fall away like a towel at a pool side. Still, it seemed like it would be too much fun not to at least try.

But in my 60th year, chalking had a new element; First Amendment Rights. A few weeks ago,  I had read about the then pending case of a young man being charged with 13 counts of "disorderly conduct" for chalking the following message "Corbett [Gov of PA] has health care and we should too." [see above] His fines could be as high as $13K and his sentence as long as 13 years. I was amazed. I was incredulous. Mostly, I was deeply affronted by this attack on our civil rights.

5:00 am Jul 18, 2013
A friend showed me several instances of similar cases and this moved me to include a political statement in my artsy-fartsy birthday plans. Here is one of the cases that especially piqued my interest: "A jury Monday acquitted a 40-year-old man of all charges connected with writing protest messages in chalk on the sidewalk outside branches of the Bank of America.  Deliberating for only a few hours, the jury...declared Jeff Olson not guilty on all 13 misdemeanor counts filed by Goldsmith’s office. Olson never denied writing the slogans.
One slogan said, “No thanks, big banks.” Another, “Shame on Bank of America.” And in yet another, the bank was portrayed as an octopus grabbing at cash with its tentacles. “It’s chalk,” Filner told reporters last week in an exasperated tone. “It’s water-soluble chalk. They were political slogans.”But courts have held that graffiti remains illegal even if it can be easily washed off, Goldsmith said. That the Bank of America contacted the city attorney’s office to reportedly urge prosecution has become part of the dispute. 
6:35 am Jul 18, 2013
Really? Corporations telling a DA who to prosecute? Faster than you can say "David and Goliath" I had chalk in hand and a full head of steam. I was pissed. BUT... instead of rushing headlong into this contested arena I decided to check my natural rash impulses and read the Town By-Laws. Finding no explicit rule against chalking on sidewalks,  I found a copy of a Brookline Rec Department flyer that invited citizens to participate in sidewalk chalk art. Then I also dug up a 9 year old article about me drawing in chalk on my birthday.  Thus prepared I called Town Hall the next day to see if drawing in chalk, in Brookline,  required permission. My first encounter was with the Building Department, which seemed like the wrong town agency but in fact, all signage and public space in Coolidge Corner are under the Building Inspector's jurisdiction.  Mike Yanovitch said that as long as my work was not "political or offensive" it should be fine. I bristled and my sub-clinical Tourette's kicked in and I blurted that I was not asking for a critical opinion on my art, just the legal stance of the Town of B on chalking sidewalks. Mr. Yanovitch immediately changed tacks and so did I. Within hours I had sent him an email thanking him and giving him tons of "background" information. And I waited.

6:55 am Jul 18, 2013
After 5 days I wrote again asking if Mr. Y had received my information. He had and said he was fine with the project and, he freely offered, without any prompt from me, that permission is not based  a "content thing" but that I did need to talk to Department of Public Works. So, I journeyed on.

I called Peter Ditto at the DPW. Mr. Ditto said the main issues were about space - I must not block traffic and I must leave a 4' wide for handicap access. I explained that I had taken some pictures of where I wanted to work and would send them. I added that I try to work before rush hour, 5AM - 8AM and likely would need more than one day due to my day job schedule.
7:00 am Jul 18, 2013
Mr. Ditto asked me to send the info I sent to Mr. Yanovitch and add to it locations of the sidewalks I was interested in, which I did in a neat pdf proposal. He said I should check in with the Police Department too. Only too happy to, said I BUT suggested that someone might issue a letter of permission just in case. What if not everyone on the BPD force gets the word of mouth that my actions have been authorized? In the past I have been stopped and challenged by officers of the law and always found it useful to have a document on my person. Mr.Ditto promised he would get back to me.

So, I waited. And waited.  On July 10, I received this email [below]… denying me permission.  This is where my story may have taken a very different turn if not for my fortune to count as a friend and colleague an ace, 1st amendment lawyer.  Enter (stage left) Michael Anderson.
A civilized exchange

Michael Anderson is a prestigious attorney, a wonderful storyteller and a fabulous Shakespearean actor as well. Michael's bio and tagline, which I have typed into many a program note ends with:

8:01 am Jul 18, 2013
"There is no such thing as free speech if you do not use it." It seemed like I was getting no where, fast, so  I wrote to him for advice on finding a pro-bono lawyer. He offered his service, a winning strategy and we hit the sidewalk - um, road, running. In no time Michael had cases, examples of chalk art on Town sidewalks and a very comprehensive letter formulated. When permission was officially denied, my lawyer ( sounds impressive, no? ) sent the letter to the Town Counsel. I believe there was a quick response by phone and after a conference between Michael and Jennifer Dopazo Gilbert, verbal permission was granted. And we waited some more. Finally, on July 15th I received my permit for 4 hours on July 18th of chalking in the areas I requested.

It is a victory. I know. But seriously folks? I thought that the Bill of Rights protected us average citizens who normally cannot afford a consigliere. Did I really need to explain myself so extensively, then lawyer-up and persist just to do a few chalk drawings? Apparently, the answer is yes. But my lingering questions are, should this be? And, if so, what are we going to do about it ?
Rosie takes a snap for me @ 6:55 am Jul 18, 2013






Wednesday, July 17, 2013

Birthday Art Project - July 18th - dawn


Photo by: Jacqueline Biggs
"Chalking is a spontaneous act of beauty."  - sidewalk artist, Norah Dooley

To celebrate her 60th birthday, on Thursday July 18 from 4-8am, Brookline artist Norah Dooley will execute an  art project in chalk on the sidewalks of Coolidge Corner. She says her work will be " A poor girl's Jenny Holzer."  Holzer is an American conceptual artist who is mostly known for her large-scale public displays of provocative words, mantras and ideas. Dooley's work is much smaller in scale and will feature small colorful mandalas and the sayings of dead and live presidents on the sidewalk. Dooley has executed similar works in the past in Central Square, Cambridge and Athol, MA.

"Like sand paintings, sunsets and other natural ancient forms, the art is meant to be temporary and, like life itself, fleeting" said Dooley.
The Town of Brookline initially refused Dooley permission. But with the help of ace First Amendment lawyer Michael Anderson, Dooley eventually convinced Town officials that she has a right to peaceful expression on the sidewalk. “The Town of Brookline allows commercial newspapers to put large newsracks on the Coolidge Corner sidewalks. If the Boston Herald gets to occupy public space to sell its point of view, then the Town cannot constitutionally prohibit me from expressing mine in washable chalk,” said Dooley. There has been much civil rights litigation over protest chalk drawing in the wake of the Occupy movement, from San Diego (where a jury acquitted a chalk artist of thirteen criminal counts) to Flint, Michigan to Orlando. “I am glad that the Town officials acted responsibly to recognize my free speech rights, rather than requiring us to go to court.”  


Below are the words she chose. They will be bracketed with mandalas - one will have in a circle of words  around it  -  "If you see something, say something." The other mandala will have just one  word : either " racism" or "poverty" or "injustice" or  "violence "

To sin by silence when they should protest makes cowards of men.
Abraham Lincoln

A nation does not have to be cruel to be tough.
Franklin D. Roosevelt

Peace and justice are two sides of the same coin.
Dwight D. Eisenhower

"A society's soul is most  keenly revealed in the way it treats its children."
Nelson Mandela

She says she is not sure about this last one.... "I may just add it as my signature!"

"...if I did not laugh, I should die."
Abraham Lincoln

What is this all about, really? The artist shrugged and said... " I like to add  beauty to disused public spaces and I have a friend who says 'Free speech isn't free if you do not use it.' Two birds with one stone?"

Saturday, September 15, 2012

What is a traditional story?

What is a traditional story?
by Norah Dooley and wiki 



The author telling traditional tales to children in South Boston through the literacy program, Read Boston, 2012

Since we announced our Folk and Fairy Tale Slams, all sorts of people I thought would know,  have been asking me, "Huh? What is a traditional story?" In the article below I have tortured and twisted a wikipedia article into illustrating a Miller Analogy Test type statement. My main intent was to explore and hopefully explain the difference between traditional storytelling and contemporary 1st person narrative in performance. Secondly, I hoped to save time by lifting lots of the material for my explanation. This process is sometimes called slapdash, and when less transparent, also known as plagiarism or "lack of artistic integrity" and will be covered in another post. Just as soon as I find an essay on that topic from which I may quote... But I digress. 

The statement I am working with is: traditional stories are to contemporary 1st person narrative stories as traditional folk songs are to singer-songwriter's songs. Imagine an acoustic performance of Arrow, by Cheryl Wheeler next to a performance by Simon And Garfunkel "Scarborough Fair"  or any other traditional ballad of Great Britain.  

The song Arrow is a beautiful contemporary love song, with melody and lyrics composed by Cheryl. Scarborough Fair is a song in the public domain; melody by Anonymous ( not the hackers but in the late 16th century sense via late Latin from Greek anōnumos ‘nameless’ ) and words by Anonymous. In the article below I have substituted "story" or storytelling for every citation of song or music. There are way more interesting things to know about folk tales but this will have to do as a start.
Odetta was a folk singer of the late 20th century revival. She left a career in opera & musical theater to sing folk songs.
From a historical perspective, traditional folk music storytelling had these characteristics:
  • It was transmitted through an oral tradition. Before the twentieth century, most people, especially ordinary farm workers and factory workers were illiterate. They acquired songs stories by listening and memorizing them. Primarily, this was not mediated by books, recorded or transmitted media. Contemporary yet traditional  Singers  storytellers  extend their repertoire using broadsheets, song story books or CDs, but these secondary enhancements are of the same character as the primary songs stories experienced in the flesh.
  • The music  Storytelling was often related to national culture. It was culturally particular; from a particular region or culture. In the context of an immigrant group, folk music storytelling acquires an extra dimension for social cohesion. It is particularly conspicuous in the United States, where immigrants and  oppressed minorities strive to emphasize their differences from the mainstream. They may learn songs stories  that originate in the countries their grandparents came from.
  • Stories They may commemorate historical and/or personal events. On certain days particular songs stories celebrate the yearly cycle. Weddings, birthdays and funerals may also be noted with  songs stories...Religions and  religious festivals traditions often have a folk music storytelling component especially a set of teaching stories. Choral music Stories at communal events bring children and non-professional storytellers to participate in a public arena, giving an emotional bonding that is unrelated to the aesthetic qualities of the music performance.
  • The songs stories have been performed, by custom, over a long period of time, usually several generations.
As a side-effect, the following characteristics are sometimes present:
  • There is no copyright on folk songs. stories. Hundreds of folk songs tales from the nineteenth century have known authors but have continued in oral tradition to the point where they are considered traditional for purposes of music publishing. This has become much less frequent since the 1940s. Today, almost every folk song tale that is recorded or written is credited with an arranger author.
  • Fusion of cultures: In the same way that people can have a mixed background, with parents originating in different continents, so too music storytelling can be a blend of influences. A particular rhythmic speech pattern, or a characteristic instrument, cultural detail or element is enough to give a traditional feel to music, stories even when they have been composed recently. The young are usually much less offended by the dilution or adaptation of songs stories this way. Equally a electric guitar digital element can be added to an old songs story creating a new genre for the art form of storytelling.
  • Traditional storytelling is non-commercial.
Please let me know in the comments below if this makes sense to anyone else but me? All the words in bold italic have been added by the blogger.

Wednesday, September 5, 2012

Storytelling:Woolgathering 1.2 Exaggerate!

Storytelling: Woolgather & Exercise

by Norah Dooley
Theory and Practice for Storytelling as a 21st Century Skill
(Yeah, I just was not "feeling" the Think&Do title.  And Theory and Practice is too dry, just not me. So I have new title. Woolgathering; it is what I do best! Exercise; it is what I need most.)

Storytelling: Woolgather & Exercise 1.2  Exaggerate!

Those who listen to my bombast know me as the Empress of Hyperbole. I play fast and loose with size, quantity and quality in my storytelling.  I try not to do so when I write but in the heat of speaking moments, 'once'  may become become 4xs  and big becomes giant and salt should be liberally applied. Really no point in checking my facts if I am telling a story - I shade, stretch and distort with the best of them. I know I am employing hyperbole "exaggerated statements or claims not meant to be taken literally.  And people, g_d help 'em, do listen so I know it works.  Here is wool and wisdom gathered on the subject of exaggeration.

  In his post FOUR rules I practice in storytelling: Brian C. Hughes, Senior Pastor + Blogger says

Creative Whack Pack
“I cannot tell you how many people have asked me, "Was that story you told yesterday actually true?" I guess it was so outrageous that it was pretty hard to believe. The answer is: Yes. It's true. And I thought it would provide a good opportunity for me to talk a little about storytelling as illustration in any kind of public speaking - whether it's a sermon or a lecture or a speech…

1) Exaggeration is ok. Most of the time, I look for ways to insert an absurdity. Strategically placed, these accomplish 2 things: 1- they make the story fun and funny, 2- absurdities tell the listener, "that part is an embellishment." In this particular story, I said something like, "I was so mad, I pumped iron like the old Arnold..." Well, that's clearly not true. But it's also clearly an embellishment. It's so absurd that it cannot possibly be true.

Where Pastor Hughes is very careful about his exaggeration, I think that in a short story like a 5 minute slam story it is sometimes necessary to distort story elements to get your meaning across. Is this alright? I say, yes. Is it truthful?  Well, no. But is it dishonest - to you intend to deceive and make people think particular details are true for some ego gratifying purpose? I think this is crucial. Since storytelling is an art - not journalism, we need to have room to create.  Exaggeration as a brainstorming tool can lead amazing results. 

Exercise:  1.2  Exaggerate!

1. In any story you want to tell try adding an exaggerated detail at the beginning and end of your story. Tell your whole story with and without the detail (to a live listener or record it) Ask for specific feed back. Does the new detail distract from your intended meaning or heighten it? Does it add some panache to your performance or does it call too much attention to itself?


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Wednesday, August 29, 2012

Storytelling: Woolgathering 1.1 - Listen first

Storytelling: Woolgathering 

by Norah Dooley
Theory and Practice for Storytelling as a 21st Century Skill

Think&Do 1.1 Listen first

Storytelling is as common as rain and often almost as invisible. It is not like reading or film or theater or song yet all these art forms require story and can  tell stories. For our study, storytelling is a live performance of a narrative by one or more performers who work without scripts, illusions, costume, makeup or props. There is no “fourth wall”. The storyteller and the listeners create images and emotions, together. The audience is a active participant and without the audience – the story is not alive. The adoption of radio, television, and video almost eclipsed storytelling BUT people yearn for more personal contact, and realizing that television and other media cannot take the place of a storyteller sharing a story in person.

Listening to our friends experiences as they create stories, informally or otherwise is a gift to them and to you as a listener. A great blog post on Active Listening here says we retain about 25% -50% of what we hear. Listening is about awareness and feeds our wells.

Exercise: Think&Do 1.1  Active listening  

1. Listen to a story - live is best but recorded is fine - just listen however you can. Remember (in silence) how you pictured an image or several images. Verbally share images with one or more listening partners. You may also wish to write about the image after telling.

2. Listen in the dark or with your eyes closed. Make up images an story to make sense of the sounds.Verbally share the sounds and images with one or more listening partners. You may also wish to write about the image after telling.

Tuesday, August 28, 2012

Meeting a Storyteller and Mentor



It is nice to know that Peggy Melanson and I both remember the moment when the light bulb went on for me the same way. I can still feel the excitement as I was listening to Peggy tell me the stories of the books she wanted to publish and I realized what a master storyteller she was.  Her first  public story performance knocked the socks off many people. She is one of my favorite storytellers. It is hard to pick favorites but a story about a crystal bowl from her  Buddha on The Bus©  collection is a tale that stuck with me and one of the first stories I heard.  Here she is a guest blogger.  I really hope  she comes out east and we get to hear her soon.  - Norah Dooley


Meeting a Storyteller and Mentor   

by Peggy Melanson


   I’ve discovered that quite a few people visualize “Storytelling” as a child sitting on a parent’s lap while Mom or Dad read stories from children’s books.  For a long time, I was one of these people.

            Until I met Norah Dooley -

Peggy Melanson
     While sitting in the waiting room of a new primary physician’s office, I noticed several large posters on the wall.  One particular poster caught my eye. It was a pastel watercolor painting of a lovely neighborhood with the title, “EverybodyBakes Bread, by Norah Dooley.  It was one of many children’s stories that the author had written. Looking closely at the poster, I noticed that she lived in Cambridge, Massachusetts.

     Since I lived in Somerville, the next town to Cambridge, I thought to look her up. At the time, I had no idea how brazen that idea was.

     When I arrived home, I called information and was surprised to find that Norah was listed.  Assuming that she would have a secretary, I planned to leave a message. I was very surprised when she answered the phone personally.

      I told her about noticing the poster and asked if she might advise me on how to get my brother’s Christmas Wishing Apple story published. I did not know that the process was very difficult.

     Many well-meaning non-writers say things like, “That’s a wonderful story, and you should get it published! Or, you should send that to Reader’s Digest.”  They have no idea what it entails.  Most people think all you have to do is call a publisher and they’ll rush to your door.

    I was astounded when she invited me to meet her for coffee at a local Cambridge coffee house.  We sat and talked for two hours.  It was wonderful to be with someone who understood my stories.

Love to mentor but really I just "connected" Peggy and she did the rest -NAD
 Suddenly Norah sat back in her chair and looked at me with a very serious expression and said, “My god, you are a storyteller.”  Visions of children on laps danced in my mind. “I responded, “What do you mean?”  Instead of explaining, she asked me what I was doing the following Tuesday evening. And, suggested we go to Foozles Book Store in Porter Square Cambridge to see Master Storyteller, Brother Blue. I was dubious about attending a children’s storytelling event. I was in for a very big surprise.

          When we arrived, I was astounded to see about twenty grownups and no kids in the bookstore. We got there early so that she could show me the process.  Brother Blue’s wife, Ruth Hill was in charge of the timing for people telling stories.  People wishing to tell a story, placed their name on a piece of paper that was placed in a basket. Names were randomly chosen and each teller had five minutes to tell any kind of story.  A featured teller was allowed thirty minutes at the end of the group performances.  When tellers reached about four minutes, Ruth would nod her head at the speakers to remind them they had only one minute left.  At five minutes, Ruth rang a ceramic bell to end the performance.  Later, I realized that those rules would be substantial in the timing of my stories, told and written.

     
                                                My First “Told” story

 I cannot find the exact words to describe that first experience.  “Stunned, mesmerized and enchanted to be in the presence of this wonderful couple.” Later I discovered that the group was (and still is) called, The League for New England Storytelling” L.A.N.E.S. I’m still a member today

        For some reason, I felt absolutely comfortable standing up to tell the true story, “Teenage Buddha.” As I will mention later, Brother Blue and Ruth made me feel that my story was the most important in the world.  The people that attended congratulated me.  And, Norah, kept saying, “I told you that you are a storyteller. “Now, do you know what I mean?”  It took a while for it to sink in.

         Soon after that evening, Foozles bookstore closed and “Storytelling Night” would be held for many years every Tuesday evening at Sherrill Hall Library at Harvard University.  I attended every event and it was wonderful getting to know other people with like minds. And, Norah still helps me with advise

        In early 2000, Robert Smyth, Publisher of Yellow Moon Press sent out a call for stories about Brother Blue and Ruth.  I was honored to have my story, “Seeds of the Universe,” chosen and it was published as, “Brother Blue-Golden Comet in 2001.

My first “Fantasy style” Story follows:

                                                Seeds of The Universe

   While driving alone, just before the rain, down a dark and winding road in Arlington, Massachusetts, a falling star caught my attention. Shooting across the heavens, it seemed to come straight at me.  A little bit frightened and filled with awe, I drove faster to get out of its path.  When I turned to look back, I saw a jagged burst of lightning pierce the night sky.  The brilliant flash of light streaked low and over the tall trees behind me. It was then, that I remembered who Brother Blue was and how we were connected.

         Pulling my car over to the side of the road, I wrote this story on odd bits of paper found in the car, while the rain pummeled the roof and the thunder and lightning crashed around me.

         It was a millennium ago while slumbering in my ancient soul that a golden comet streaking through the heavens awakened me. The splendid brilliance raced through earth’s atmosphere, weaving and dancing amidst a stand of trees.  As if searching, it moved and then suddenly struck a colossal tree, setting it ablaze. Glowing and split in half, though still attached at the roots, the tree thundered to the ground. Sparks from one half of the burning wood flew like fireflies, imbedding themselves within the tall timber of the surrounding forest.  Deep, deep, deep they burrowed, to slumber within the wood, waiting to be awakened when the time was right. Thus Brother Blue was born to seed the world with stories.

         Spiraling shafts of light from the other half of the felled tree sprang up and raced to spin protectively and embrace the trees that the sparks had entered.

         It was then that Ruth was released to preserve and shield Blue’s brilliant seeds. Born together out of the unity of the universe and brought to earth from the light of life, Brother Blue and Ruth prepared the world for their children - stories!

         Many years passed before fire was discovered and wood was used as its fuel.  As people came to sit around the fires, Blue’s sparkling stories awoke from within the pieces of burning timber. They began to snap and touch the cave dwellers who sat for warmth.  Slowly at first, with hesitancy and care, the act of sharing stories gave birth to other sparks that entered other people and stories spread throughout the centuries.

         My primordial soul came to life again, one day when a storyteller, Norah Dooley walked me into a cave of books where Ruth and Blue’s children lived.

         I saw my ancient Father and Mother and my brothers and sisters in all the pages made from the wood of those spark filled trees.

        Many people were there, drawn to Brother Blue’s light and Ruth’s glowing kindness because fireflies of memory danced in their minds.

         Blue stood before them, dressed in a rainbow of butterflies, arms raised, eyes cast towards the heavens, perhaps seeing his own comet’s light and pronouncing wonders.  When he took my hand and proclaimed that my first told story was perfect and wonderful...I believed him.  When I saw the smile and flash of agreement in Ruth’s eyes, I felt the rolling of the old thunder.

         On that day, the world hesitated in it’s turning to allow my ancient soul to be awakened once more by the power of Brother Blue’s ageless, universal spirit. My own spark was set free to fly around the campfires of the world, telling, telling, and telling. And I’m home again!
+++
SIDEBAR:” Teaching and inspiring others" won Peggy Melanson the opportunity to be a Torchbearer for the 2002 Olympics. She was also awarded "Cool Woman of America" by American Movie Classics Television Network and selected, “Ms Congeniality” by the Golden Girls Pageant. Peggy is a writer and storyteller, Mixed media and Zentangle She also is a” One Woman Comedy show” presenter. As a freelance writer she has written columns for several New England magazines and newspapers. Peggy is presently working on "Dancing on the Roof,” a Memoir.